Jim Krakowski’s House of Mass Produced Trippy Shit for Stoned Teenagers

Howdy do, fellow duuuuuuuude!
You on druuuugs?
I know I am.
Are you tired of staring at the same old lava lamps and black light posters and other junk from Spencer’s while you’re on druuuuuugs?

Do those things no longer seem toooooootally trippy?

Well, maaan, have I got just the thing for you!

Hi, I’m Jim Krakowski!

Crow language educator, globe smasher, erotic author, and now, panderer to drug users!

Ha-ha!

If you crave new mass produced fake intellectual fake art to gaze upon, dead eyed and slack jawed, while you listen to terrible music, you need – NEED! – to come on down to Jim Krakowski’s House of Mass Produced Trippy Shit for Stoned Teenagers!

We’ve got it all!

Black light posters featuring new stoner favorites, like cats and whatever!

Lava lamps, but with a slightly different shape!

Incense burners made of clay crudely sculpted into something resembling the hideous noggin of David Matthews or whoever is his modern day equivalent!

Beads and junk!

Clothes with labels that say they are made with locally, organically sourced hemp but are probably some type of burlap!

Glass bongs so huge and elaborate that only Seth Rogan or a successful drug dealer can afford them!

Legal drugs that might make you feel like you might maybe feel a little weird somehow! In candy form!

You name it, we’ve got it!

So, shake the Utz potato chips crumbs out of your terrible beard and come on down to Jim Krakowski’s House of Mass Produced Trippy Shit for Stoned Teenagers, located in that building that used to be an ice cream place and then was a really sketchy looking daycare for a while before becoming a really sketchy looking car dealership and then was vacant for a decade and is now my store!

Come on! Up you go! You can do it, you lazy post-zelleniall, depression ravaged internet borg! Pornhub will still be there when you get back! Thaaaaat’s right, off your parents couch and right on over to Jim Krakowski’s House of Mass Produced Trippy Shit for Stoned Teenagers!

See you in a bit!

Franz Xaver Messerschmidt

Franz Xaver Messerschmidt

Hello, friends. Welcome to another very special episode of The Irrationally Exuberant. So, three or four weeks ago I sat in my kitchen and, under the watchful, semi-mocking eyes of my wife and children, spit into a tube until I could spit no more, then mailed it off to the good folks at 23andMe to be tipped and toppled and spunned and broken down, analyzed and digitized and turned into data in an easy to read e-document detailing the very building blocks of the meat machine that is Reid Messerschmidt, as well as some information on the meat machines that proceeded me, my ancestors.

It had never occurred to me to do this before. I’m an artist, goddamnit! A man of feelings and knowledge! What business of mine is my disgusting body? And god knows I love a good story, but my ancestors? I’ve known a good swath of them over the years and, while some of them are great and a few I really love, there’s not a one whose kinship is a matter of personal pride. Gratitude, sure, but not pride. Still, my wife, understandably, I suppose, wanted to know what horrible syndromes and diseases would ultimately kill us and our children.

“Listen,” I said. “I know I’ve probably given my beloved offspring Clinical Depression and Alcoholism, do we really need to delve further? They’re going to start resenting my building blocks.”

She believed we did, and I was not uncurious, so a kit was ordered. Everything that could be known about me would now be revealed for a paltry $125. I only hoped it wouldn’t ruin my life, send me spiraling down a depressive, dissociative abyss, ultimately leading to madness.

On the other hand, I’d heard of people finding out their father’s were not really their father’s, and that sounded appealing.

Well, all of that information is now here, in front of me, in an email that I have printed out, because I am old fashioned, even at the expense of our fragile ecosystem.

Some of the information – most of it – is unsurprising. The genetic scientists in their corporate laboratory have discovered that it is likely that I have dark brown hair, blue eyes, and a taste for sweets. Bullseye! These things are true. They also found it likely that I have a muscular, athletic build. This is slightly less true. They further determined that I am unlikely to transmit a propensity for any horrible syndrome or diseases to my kids. Aside from the Clinical Depression and Alcoholism, of course.

Lucky them!

The scientists have also discovered some relatives of mine who were also coerced into sending this deeply personal information through the mail to strangers. Some of them I am aware of. Others I am not, because they are third or fourth cousins and I could not care less about them or their building blocks.

There was no conclusive information regarding my paternity.

But, buried amid all of this semi depressing data about the fundamental makeup of myself – easily communicated in a medium length email and indicating no particular gifts or promise – is one surprising tidbit. A tidbit I had long suspected, and has now been confirmed.

I, it turns out – and you may want to be sitting down for this – come from the same genetic line as Franz Xaver Messerschmidt!

(dramatic sting)

If this doesn’t spin you into a tizzy of excitement and envy or even touch off a glint of recognition, allow me to tell you about my Uncle Franz: He was an eccentric 18th Century Austrian sculptor responsible for the famous “Character Heads”, a series of 64 tin-lead alloy and alabaster busts of his own head, each displaying a different, peculiar, often extreme facial expression.

There, you are now free to spin into that tizzy of excitement and envy.

I have known about Franz for many years. Messerschmidt is not the most common of names, and there are very few famous individuals who bear it. Really, there’s only the despicable Nazi inventor of the Messerschmitt, a German warplane prominent in WWII. The plane is spelled differently – with a tt at the end instead of the truly baffling dt concluding my surname. Doughy middle-aged men with terrible beards who are far too invested in Nazi trivia and mostly work at gas stations mostly don’t know this – the spelling difference – though, so I’m often forced into conversation with these degenerates, which has always been painful, and now, through both two masks and a half inch of plexiglass, is both painful and impractical.

Come to think of it, I don’t really know enough about this Messerschmitt fellow to call him despicable or a Nazi. It’s entirely possible that he was just a particularly gifted engineer and put together something he thought was wonderful and told his kids about and stayed up nights imagining all of the great things it could do and then it ended up a killing machine for a death cult army led by a lunatic with a memorably terrible mustache.

These things happen.

Regardless, his name is close enough that some Nazi association is to be expected, and has prevented much delving into the Messerschmidt past, as you’re sure to come across Nazis pretty quickly and nobody needs that in their life. I’m told my great grandmother had a Nazis flag in her home, and that’s about all I need.

A quick story about her, because this is my show and I’ll do what I want:

At my great grandma’s memorial service, after the funeral, the pastor – who had not known her – asked if anyone had any good memories of their time with her that they’d be willing to relate.
Nobody in a room of every living person she’d ever known said a word for a solid 3 minutes. She was an awful woman.
Finally my Dad – with his first and last selfless, heroic move – stood up, walked to the front and said, “She made good creamed peas.” Everyone solemnly nodded in agreement, sighed with relief and exited the memorial to maybe have a smoke or discuss more important things like the weather and football or how good they were at basketball in high school.

The moral of this story, like all stories with a moral, really, is don’t be an asshole.

Anyway, Franz Xaver Messerschmidt is different. First, he was not a Nazi. Maybe a Monarchist – he did some work for Austrian royalty – but that’s not so bad, in context. Second, and most importantly, he was a fucking artist, as am I. He made artistic heads by forcing earth to do his will and I make heady art by forcing words to make a podcast, which they couldn’t possibly want to do. “My god!” they must think. “Couldn’t he have made us into a beautiful poem on some paper in a book like respectable words instead of this hideous spoken nonsense broadcast into the void?”

Cram it, words, I’m in charge here, more or less.

Uncle Franz’s art has been immortalized more than mine, but I’ve no doubt that in 300 years from now someone will be creating a podcast about this show too, probably via a laudatory psychically transmitted, immersive futuristic tableaux or something. Or maybe the future is more dystopian and they’ll create the tableaux from sticks, rocks, and trash or crude drawings on the walls of a cave – the circle of life and all that. Either way, I’ve no doubt it will be a tableaux and I am honored and humbled by the gesture.

Also, Franz was a depressive recluse with a shaky hold on sanity and I’d bet dollars to donuts I’ll end up the same. I’m well on my way already, sitting in the dark, in my basement, alone, typing and doubting myself even while projecting bravado, staring into the glassy eyes of the taxidermic gator head on my desk, imagining the gator telling me that none of this is very good.

Kindred spirits, and, as it turns out, actually kin.

The moment I saw the first Character Head, as they’ve come to be called – Uncle Franz never put a name to them – I was smitten. They are deeply weird and weirdly modern. Out of context you’d assume they were an inspired conceptual project from some pre-Burroughs Bohemian of the 40s, maybe someone who made time with Buñuel or, probably more likely, given their shared nationality, Fritz Lang. One of the weird but not so weird as to be unpalatable pre-war outré art guys. A pre-irony guy with ironic leanings.

Their modernity comes from their simplicity and a very modern sense of humor, though I doubt the artist had humor in mind when he made them.

They are difficult to explain. If you want to see them, you know, the internet, obviously, but this show’s artwork also features two of the heads – the ones known as The Vexed Man (the brownish one in front with an aggressive frown), and The Yawner (the gray one in back that looks much more like he’s screaming in despair to me, but probably a lot of the power of the piece comes from the unification of existential terror and ennui or something).

The heads in the pictures are cheap, smallish imitations that I bought on Amazon – there are a few of the heads you can own for under $100, and I have all of them. I wanted them as the artwork for the show for obvious reasons – they look cool and have a personal meaning, but also as a gentle, winking siren song to anyone who actually knows who the fuck FXR is. So I set them among some plants in my yard to represent the complex relationship between man and nature and snapped some photos. I think they look nice. It’s probably some kind of Copywrite violation, but no one has caught on because, you know, who’s listening really, and besides, he’s family! And long dead.

I’ve never had the opportunity to see the real heads in person as that kind of thing doesn’t typically come anywhere near Fargo, North Dakota – at best we maybe get Norman Rockwell and Ansel Adams, at worst terrible stadium versions of long out of fashion Broadway shows and the occasional Vatican relic – but they are just over a foot tall, slightly bigger than a real head. Some are metallic, chromish – the tin/lead alloy – and some kind of an aged beige stone – the alabaster. Each is just a head and a neck – no shoulders and no detail in the eyes, giving them a kind of blank, hypnotized, disconcerting look. Some of the heads are entirely bald, with lines etched on the dome to indicate a couple days worth of hair growth. Some are only partially bald, with longish flowing hair circling the crown, pushed back behind delicate, realistic ears. The bald ones give an impression of musculature and health – almost youth, maybe some vigor – but the others are an older man, thin and deeply lined, with more birdlike features. All of their necks are excruciatingly tensed, veins and tendons and Adams Apples, sometimes an impression of a second chin, bulging as though reacting to an electric shock – which they might be, as Uncle Franz was rumored to have been good friends with Anton Mesmer – namesake of mesmerism and purveyor of a crude form of early shock therapy. That’s probably not the case, though.

The story of Messerschmidt and his heads, like any good story, is riddled in mythology and speculation, and, as with most things, I prefer the mythology. It’s more fun.

The mythology is, basically, that Franz Xaver Messerschmidt was an accomplished sculptor and benefactee of royals in 18th century Austria before going insane, losing all employment, attempting to become well via Mesmer’s new methods, failing, moving to the country, living as a recluse and sculpting head after head of his own visage in various forms of distress to ward off the evil spirits that tormented him, specifically something he called The Spirit of Proportion, and ultimately dying by his own hand in an institution, the heads all but unseen, until his brother began to sell them off to various collectors and traveling exhibitions of oddities, to be scattered across the world, then reassembled and given the names they bare today and slowly discovered and even more slowly recognized for their brilliance and kinship to modern semi-absurdist art.

It’s a good story. The fact is that many of the heads seem to be of different people – experts can only agree that one is really the artist, the one whimsically titled “The Artist As He Imagined Himself Laughing”, which depicts an aging man in a fez with a semi-mad, dead eyed smile. But the more I look at them – and I look at them a lot – the more it seems to me that they are all of the same guy, in different peaks and valleys of mental health. My image of myself varies drastically depending on my mood, it was probably the same for my dear Uncle. And artistic license – even with oneself – is to be expected.

Anyway, I don’t particularly care what the real story is. Every character in that story is long dead and why not go with the good story over the true one? I’m not, as I think I have mentioned here before, fucking Tom Brokaw, after all. This is, theoretically a comedy podcast, even if there hasn’t really been a joke in a while.

Here’s a funny story to justify my genre.

My six-year-old son and I often do would you rathers before bed. The other night he came up with, “Who would you rather eat, Hulk Hogan or a regular old man?” I think he might be a genius.

Back to Franz.

As I said, there were originally 64 heads, but only 49 are still known to exist. There’s A Strong Man, A Hypocrite and A Slanderer – his head hung low with regret, The Ultimate Simpleton – the only one with a torso connected to the head, Inflicted with Constipation, and An Intentional Wag, among others. The names may not be what the artist intended, but you have to admit that they are pretty solid, even when they don’t really describe what I see at all. Any one of them would make a tremendous band name. I imagine the heads were created in a spirit of distress, in contrast to the light hearted posthumous names which were applied to the heads by the organizer of a traveling exhibit featuring them. The traveling exhibitors – glorified carnies – were probably a fair bit more mirthful than the reclusive, insane genius.

And I don’t really have to imagine them being created in a spirit of distress. There’s some documentation that this was the case. One man – I forget his name, and it’s not important, let’s call him Kent Butnickel – made a pilgrimage of sorts to Franz’s humble home, partly out of admiration, partly out of morbid curiosity. Rumors were, he’d lost his mind.

Butnickel’s visit did, in fact, confirm that Franz had lost his mind, at least to some degree. He spent his time jabbing and pinching himself while looking in a mirror, said it was to assuage the evil spirit that was assailing him – The Spirit of Proportion. He was also up to his ears in the heads, which, as an art piece are brilliant, but to find a shut-ins cottage filled with them would be alarming. We don’t know how long Butnickel stuck around, but I can’t imagine he spent the night.

And, really, that’s all we know for sure. There’s some record of him possibly selling miniatures of the heads, and the next thing we hear is that, after his death, his brother – my great great and so on Grandfather, perhaps? – took possession of the heads.

Or did they take possession of him?!

(dramatic sting)

No, they did not, or, anyway, we have no reason to believe that they did. He eventually sold them off and went about his life, continuing the genetic line that, ultimately, would lead to me and my children, just after my Grandpa Roy, who I once tried to show a book about Franz – he did the thing he used to do where he kind of grunted and then ignored you – and who knows who else. Perhaps a future librarian or some such noble being.

Next time on The Irrationally Exuberant, we’ll delve into my first experience with psychotropic mushrooms, meeting my Uncle Franz, and realizing that I have Clinical Depression and am just not really a drug guy after all.

Don’t miss it!

The Tom Waits Institute of Lucid Dreaming

The piano has been drinking, the piano has been drinking, not me . . .


Oh, hello. I didn’t hear you come in. I was busy writing a new hit song and preparing my brain for tonight’s, ah, lurid lucid dreams.

Name’s Tom, by the way, Tom Waits – I’m the owner of this glistening institute.

And you are?


Uh-huh. Well, I’m pleased to make your acquaintance. You’re a comely one, aren’t you?


Why don’t you pour yourself a drink, help yourself to a cigarette or two, and fold into that arm-chair under the portrait of Schlitzie the Pinhead Girl while I tell you what The Tom Waits Institute of Lucid Dreaming is all about.


Well, you’re probably asking yourself why Tom Waits, the man responsible for such landmark albums as Swordfishtrombone and Mule Variations has any interest in opening a Lucid Dreaming Institute in the first place.

A fair enough question.

You’re very astute.

The answer is simple as JoJo the Idiot Circus Clown. I’ve been a lucid dreamer since my parents left me at an abandoned bus depot in Atlantic City to live with the hobos and tramps when I was 7 years old. A tattered, one-legged bum on the lam from the law, name of Shitmouth Charlie, The Rail-yard Privateer, taught me how to do it. And I want to share the gift that Shitmouth Charlie, The Rail-yard Privateer gave me with as many folks as’d care to listen.


So, when you’re here at the Tom Waits Institute of Lucid Dreaming you’ll learn how to slide into a deep, active sleep using the music of me, Tom Waits.

I’ve been known as both a whiskey soaked beat troubadour and a rail riding industrial carnival barker, but all along the mission of my music has been to induce lucid dreams and there have been subliminal messages in these tunes starting with Closing Time.

Like my song, The Earth Died Screaming, for instance. It may seem to the untrained ear like nothing more than your typical nightmare environmentalist screed, shrieked by a drink and drug addled lunatic great grandpa, but listen closely. There’s a constant whisper behind all of that madness, telling you to be mindful and relax.


(Earth Died Screaming)


Did you here it? No? Your subconscious did.


Try this one on for size. It’s called Singapore. It was on my platinum selling album, Rain Dogs. At first listen, all you’ll hear is a hell circus hosted by a blood spitting wino with post traumatic stress disorder. But there’s more to the song than meets the eardrum, so to speak. See if you can hear the underlying message that you are safe and secure and should feel free to fully enter your dreams and experience true beauty for the first time in you life.


(Singapore)


Yeeaaah. Now you’re getting it.


Here at T-WILD we’ve created the perfect environment in which to tumble into slumber and finally know what it feels like to live without boundaries. To experience all of the enlightenment and serenity that lucid dreaming has to offer. You’ll nestle into a dusty bed of burlap and horse hair as you’re coaxed to sleep by the flashing of dozens of strobe lights and the perpetual spinning of our neverending Poe themed Merry-go-round, while my dream inducing music plays at deafening volumes.


Or, if that doesn’t suit you, you can drift into your own unconsciousness in our room of carnival freaks and clowns, now stocked with 75% more clowns, who will jump about and groan encouragement over songs such as Tango Till They’re Sore and Cemetery Polka.


It’s a real scene, let me tell you.


So, don’t waste any more time passively sleeping your life away. Awaken to the miracle of lucid dreams at the Tom Waits Institute of Lucid Dreaming. Sign up by finding me and asking about it.


Thanks for stopping by.

Lucid Dreaming

Intro: Dream

It is light.
It is dark.
It is light again.
It is very dark.
Dusk settles - something like dusk - a queasy, night vision green, stamped with a throbbing amber moon.
It is my backyard, but it isn’t.  Josh is there and Ben and Ryan, but he’s very young, and then not Josh, and me, and Tony, and Brian Lauers, from high school, and Jake, and then Josh.
They are golfing, and then not Josh, hitting balls, and it is light, silent, and I am watching, and it is dark, and I am not me, but I am watching me, and then Josh.
And there are pigs in the yard - first the impression of pigs, followed by pulsing pig representations - and it is yellow dusk, and the pulsing pig representations are too big, and then Josh, and there is a baby that is not mine, that I need to take care of, that looks like me, and then not Josh, and then Josh, and then not Ben, and Josh is going into the neighbor’s house to take a piss and they aren’t home but the lights are on and I am furious, and then not Josh, and the pulsing pig representations are again just the impressions of pigs and they are many, and the pigs are in danger, I can feel it, and then Josh, and it is light, and the pigs are pigs now - tangible pigs - and have green eyes, and then Ben, and then not Josh, and Marshall is in the house, and I am in the house, and Josh is in the house, and then not Josh, and Kelly wafts through, blinking her eyes wildly, and it is very bright, and then Josh - and where is the baby? - and then not Josh, and I can hear an uncle in the other room, and it is very bright, and then Josh and Ben and Marshall and Tony and my brother and me and a pig and the baby and then not Josh and this doesn’t make sense,  I realize this doesn’t make sense, and I realize I’m dreaming and then it is light and everything slows down, comes into focus.  Everything is focused and still. Lucid.
The house is mine and I am lucid.
I am dreaming.  I say this aloud and the words pulse through the air in concentric circles.  I am in my kitchen.  Everything is there.  It is my kitchen, but more - ethereal, maybe.  And Josh and Ben and Tony and Ryan and Jake and Marshall and Brian Lauers and the green eyed pig are just standing still, staring at me, waiting for me to do something.  So I put a hat on the pig, with my mind.  A beautiful deep brown bowler.           Everyone smiles.
I breath.  This is my dream and I can do literally anything I want.  The laws of physics and morality do not apply to me.  I could fly through the air like a crow.  I could make Josh do things to the pig.  I could combine Josh with the pig to make a pig-Josh and have Ben do things with pig-Josh.  I could punch pig-Josh into a billion smaller pigs with spaghetti knuckles.  I don’t know what that means, exactly, but I could do it.  I could make them all perform an elaborate three part very special episode of Charles In Charge, where the pig plays Charles and Tony plays Buddy, and Buddy is experimenting with PCP, and Charles has to help him and hide it from the kids. It could be brilliant and disgusting.  And I could play Mr. Belvedere, hell, I could be Mr. Belvedere, even though he’s not even in Charles In Charge.  I could make Mr. Belvedere a member of the Charles in charge universe with my mind. Anything.  This world, as they say, is my oyster.  I could literally make this world into an oyster.
Instead, I retreat to my studio to record - this - podcast . . .

Part I: Lucid Dreaming
In 1902, Willis Carrier recorded a remarkable dream in his dream journal. Two dream descriptions in a row might be a bit much, but bare with me.

July 16th, 1902

Dearest diary,
Last night I dreamt the most remarkable dream.  To call it a dream, in fact, does it no justice.  It was more than a dream, I believe.  Vision may be the word.  Revelation, perhaps.
It began ordinarily enough. I was trudging through the disgusting streets of Brooklyn on yet another punishingly hot day, stinking to high heaven as everybody does all of the time , cursing the three piece wool suit that people of this particular point in history are cursed to wear, no matter the weather.  My god, life is a nightmare!  Good lord, the stench!  Heavens to Betsy - the rashes!  Oh, the rashes! It’s a wonder that a person ever accomplishes even the most menial of tasks whilst drenched head to toe in sticky, hot sweat, his crotch dappled and scarlet red, itching like the dickens, his olfactory sense barraged from all corners each and every moment of each and every hellish day with the ghastly odor of three million retched, reeking New Yorkers, barely holding on to consciousness as they teeter on the precipice of of heatstroke or wage a futile battle against retching from the pungency.
I was contemplating all of this, praying for the sweet relief of the Reapers refreshingly cold, gnarled touch, when a curious storefront caught my eye.  One I hadn’t noticed before, though I have made this walk innumerable times.  It was called, “Breezy Jeff’s Emporium”.  
“What kind of name is Jeff?” I thought. 
I felt compelled to step inside, so I pushed through its unornamented door.
The most wonderful thing happened as the door opened.  I was enveloped by cool, soothing air, the likes of which I have never felt before.  It was as if God himself had exhaled upon me!  I began to weep with joy.  
When I had regained my composure, I looked about myself to ascertain the nature of the establishment, but there was little to see.  The walls stood bare, and I appeared to be alone.
That is when it struck me: This must be a dream.
Surprised to find myself so aware of this fact while still in the dream state, I nearly awoke.  The store began to fade.  Not wishing to ever leave this icy paradise, I willed it back into solidity with great effort and found that I was able to move about of my own free will.
I heard a loud humming noise from the back of the store, but was unable to see its source.  I went to investigate and found, around a corner, a strange contraption which seemed to be the source of the noise and, to my amazement, the cool air.
“My God,”  I thought. “A machine that cools the air.  This could change everything!”
I had to bring this miracle to the real world!  A dipped quill and paper materialized in my hands, and I began to make sketches and notes pertaining to its construction.
Upon awakening, I immediately transcribed my dream notes. And I’ll be McKinley’s old mother if I don’t believe this thing can actually work!

I must retreat now to my laboratory to assemble a prototype.  This invention, if I am not sorrowfully mistaken, could be our cool savior from the oppressive god of heat and I must waste no time in building it!

Willis Carriers vision was not the first lucid dream recorded in history, but it very well may be the most significant, and is a fine introduction to the topic.  The invention of the air conditioner ushered in the modern age, making life bearable for the first time in human history.
How does a man discover something so consequential and practical in the non-dream world while in the dream world?  How does he gain the ability to understand that he is dreaming and act proactively within the dream?
The answers are elusive, highly controversial, and, in this podcast, wildly simplified and occasionally misrepresented.
Lucid dreaming is essentially a dream in which one becomes impassive, conscious of the dream state and able to control ones actions and surroundings within the dream.  To really understand lucid dreaming you must first understand dreaming, which no one does for sure.  You’ll get different explanations for why we dream and what, if anything, dreams mean from scientists, psychologist, religious fanatics, psychics, your mother, or the quiet guys you work with who, when they do finally talk, reveal themselves to be profoundly unpleasant.  There is very little agreement even within these groups.  One unnerving guy at the office might say that dreams are visions from god while another insists that they are representations of repressed sexual desires.  Back slowly away from both of these men.  They are the ones who make that horrible mess in the bathroom, probably.
I’m talking about you, Kurt!
A dream is essentially a hallucination - a creation of your mind.  You see things in your dreams, but not with your eyes - a real stoner mind-fuck. There’s no particular portion of the brain that these images arise from - that anyone knows of, anyway.  It’s kind of biological ocean whose depths are completely unknown to us despite its relative nearness.  
There is one theory, variations of which are currently the most pervasive, that dreams are a kind of informational sieve, a way for our brain to filter out useless information and sort the things we need, resulting in a kind of free associative hodgepodge of thoughts and images that really only seem to make sense because of our conscious tendency to string miscellaneous information into a kind of narrative.  Sort of like how if you watch a movie on mute, any music you play will seem to sync up with it.  The Dark Side of Oz phenomenon, if you will.  
It is nearly impossible to talk about dreams, apparently, without sounding like you just took a bong rip.
I have to ask, though:  If it is  truly the case that dreams are a mechanism for sorting and filtering information, why have I retained such a vast store of knowledge about the Golden Girls and Sha Na Na, but couldn’t, under any circumstance, tell you my wife’s phone number?
Either this theory is bunk or my sieve is broken.
Freud was somewhat a proponent of this explanation, though he added that dreams were a means of latent wish fulfillment and deeper revelations about oneself could be sussed out through analysis.  Those deeper revelations tended to be sex stuff.
I’d really like to get his take on which wish I was fulfilling in the dream I had where a group of monks marched into my room to tell me that Jeff Goldblum had died.
Jung largely concurred with Freud, but was much less phallocentric and posited that the existence of common dreams, which he called archetypes - flying, unpreparedness, secret rooms, Jeff Goldblum - were an expression of a unified human consciousness. 
L. Ron Hubbard, a lunatic, said that "Dreams are crazy house mirrors by which the analyzer looks down into

the engram bank.” I have no idea what that means and don’t care to find out.
There are a few things we know absolutely about dreams, specifically, which parts of the brain aren’t active during sleep. The motor cortex, for instance. It is responsible for musculoskeletal control – moving your body. When the motor cortex is stimulated during sleep – as is the case with a sleep disorder called “violent sleep”, which has been recreated in animal experiments – the dreamer will act out their dreams. Dogs will dig at the air, cats roam around, aimless and ominous, and humans have been known to attack whoever happens to be in bed with them. A prostitute named Fancy, for example.
Activity also decreases in the prefrontal regions of the brain responsible for episodic memory and integrating information. It’s the reason dreams don’t usually make a lot of sense.
I could go on – about REM sleep, neurological theories, wet dreams – but this is supposed to be about lucid dreaming, so let’s talk about that.
Here’s the thing – We don’t really know whether lucid dreaming is real. Dreams are notoriously difficult, if not impossible to monitor, so the specifics of dreams are kind of beyond us. There’s a very real chance that lucid dreams are just dreams of being lucid, not actual lucidity within a dream. The study most often cited in its favor basically consisted of a researcher telling a subject to move his eyes in a certain way in his sleep. Apparently he did, but it was just side to side.
So we are left with personal testimony, and there is certainly a lot of it.
Lucid dreamers love talking about lucid dreaming. If you begin a conversation with one, it won’t end until you’ve heard all of their tales of flying over psychedelic meadows, chatting with their dead grandpappy about the tofu situation in heaven, and bedding Khaleesi, The Mother of Dragons, and agreed that they are highly evolved mystical super-people. What they won’t tell you is that even their sweet Aunt Kathy won’t return their calls anymore. Avoid them at all costs. In fact, avoid everyone at all costs, just to be safe.
They’ll also tell you how you can become one of them. “Oh my god, you don’t meditate? You have to meditate!” They’ll tell you about looking at your hands, or flipping light switches on and off, or reading a digital clock several times a day. These are what’s known as reality checks. The idea is that if you get used to confirming that you’re not dreaming during your waking hours, the habit will persist into your dreams and you will become lucid when you realize you are dreaming.
They’ll tell you about binaural beats, beats of two different frequencies, one being fed into each ear, which create a third frequency in your brain that, theoretically, produces relaxation, concentration, and, when you’re sleeping, lucid dreams. It’s sometimes called brainwave entertainment – which may or may not also be the title of a Skirlex album, another thing I don’t care to find out – and sounds like a computer attempting Peruvian Pan Flute music.
They’ll tell you about taking B vitamins before you go to bed, as well as an exhaustive list of additional supplements that have not been approved by the FDA.
They’ll encourage you to keep a dream journal, make your own dream pillow, eat cheese before bed to have what they call, horrifyingly, “cheese dreams”, set an alarm to wake you up every 90 minutes, and wear a REM inducing mask, none of which seem conducive to any kind of sleep, let alone a deep one.
They’ll tell you that, if you do become lucid, you should “ask the dream” to let you become lucid more easily next time.
They’ll continue shouting these things at you as you slowly back away from them and they’ll chase after you when you turn and break into a dead sprint.
These people are relentless and will stop at nothing to share their inner peace.

And goddamn if I don’t want to BE one of these people. I’ve tried a good number of their methods, not as an ironic experiment, but in earnest.
I would very much like to lucid dream. It sounds amazing. Passive sleep feels like a necessary waste of time, but conscious sleep eliminates that burden. You never have to stop doing. And I want to pause that recurring dream I have where I’m lost and half nude in a massive hotel with a random assortment of acquaintances and dream people while reports of an alien invasion blast from unseen speakers and finally find that Morrissey concert in the lobby that I’ve been trying to get to for all these years. I want to explore the room in the house that I grew up in that no one knew was there. I want to hear and remember music that doesn’t exist in the real world, music that evidently lives inside me that I don’t have access to. I want to be a whale for a little while and goddammit I want to have consequence free dream sex with Ferris Bueller’s girlfriend Sloan!
Not to mention that the implications or Lucid Dreaming are pretty wild. If you are able actively alter the projections of your Id and Ego, what does that mean? Something, I’m sure of it.
So, if you’ll excuse me, I’m going to binge eat some cheese, strap on my dream goggles, and take a brief, hopeful nap.

Hell

Bad news, friends. I died.

I was trudging along the banks of the Red River, as you do during an unseasonably warm North Dakota Winter. With the trees gone and the prairie grass tamped down by deer, you can get much closer to the water than in the Summer, but usually it’s colder ‘n the heart of a Saskatoon Psychopath and there’s liable to be a foot or two of snow on the ground, so you’re mostly stuck indoors, gaining winter weight.

Not this winter, though. This was a couple days after the anniversary of the sneak attack on Pearl Harbor and it was still in the high 40s. Heaven on earth.

So, I was trudging along, tossing rocks and kicking out rotted stumps when I came upon a peculiar sight. There was something wedged between two bare elm trees not ten feet from where I stood. It was red and green and, this being the Holiday season, I assumed it was some kind of out of the way Christmas decoration. But I pushed on to investigate, and, to my surprise, saw three words printed in big block letters on the mystery object.

The words were these: The Phoenix Lights.

I was taken aback. Why, that very morning I’d cracked open a book on The Phoenix Lights, the most famous UFO sighting in the Americas, maybe the world.

I whispered, “Synchronicity,” because that’s what UFO weirdos do.

Convinced that I’d stumbled upon some sort of cache of secret information, finally, or, at the very least, some sort of incoherent message from The Phenomenon – I rushed toward whatever it was, and this is where I died.

My foot caught on an exposed root. I put out my hands to grab hold of a branch, and the branch snapped like a box of angel hair pasta over a bubbling pot of water. I tumbled, foot over fedora, down the river bank and on to the icy surface of the mighty Red. Shaken but okay, I stood up, brushed the dirt and cockleburs from my body, lifted a foot to ascend the bank and heard another crack – too many cracks for one day, if you ask me – felt the ice give way below me, fell backward again, and crashed through the thin ice, into the frigid, mud dark water. I felt a jolt of unspeakable cold, gasped, filled myself with water that tasted of clay, and was sucked Northward and to the bottom of Fargo’s preeminent body of water.

Next thing I remember, I was completely dry, which struck me as odd. I was back on land, in a dense green wood, ominous in a way I couldn’t quite put my finger on. Poetical, somehow. The ground was rocky and inclined. This wasn’t North Dakota. What was it?

I heard a low growl. Not good. Low growls are almost never good. Even high growls aren’t great. I heard a low growl and saw an enormous black bear slowly approaching me, snout wet, eyes wild with malice or hunger or both. I looked about for somewhere to run. There was a clearing! I started in that direction, but – Alas!- coming through the clearing was a guy I went to high school with who I’d blocked on Facebook. REALLY didn’t want to talk to him.

But it was this guy or the bear. I was frozen in indecision.

Then, from above, an urgent whisper.

I looked up. There was a man in the branches of a large Sycamore Tree, partially obscured. He looked older. Well dressed. A stranger. Not ideal, but better than the other two options. I briefly hoped he wouldn’t be the chatty kind of stranger and then ascended the tree as quickly as I could.

There in the branches of the Sycamore was a man I immediately recognized. He was Kurt Vonnegut.

“You’re Kurt Vonnegut!” I whispered.

“Guilty as charged,” said he.

“But your d-d-d-dead!” I hissed.

“You and me both, kid.” He smiled kindly.

“Huh. I’m . . . dead? I guess that adds up. Why does your voice sound so weird?”

“Never mind that. Poo-tee-weet.”

We heard a roar and a scream, and both looked down to see my highschool acquaintance being devoured by the enormous bear.

“What in the hell is going on here?!” I asked, no longer whispering.

“You said it, son. You kicked the bucket. Passed on to your great reward. So it goes. You’re just outside of hell, bucko.”

“Adds up. What are you doing here?”

“I’m here to lead you through. Like a spirit guide, kind of thing. Lucky you.”

“It’s an honor. What are we waiting for?”

“The bloodthirsty bear.”

“Right, the bloodthirsty bear.”

Hours passed, and we sat in silence, watching the bear devour my classmate, whose political opinions justified this fate.

I had questions, but realized this was all most likely a product of my own imagination, the firing of the last few neurons in my brain, a quick dopamine dump before lights out, and didn’t want to look foolish in front of imaginary Kurt Vonnegut.

When the bear had finished its meal and shambled off, Kurt suggested we do the same.

We passed through a ragged gap in a stone wall. There was a sign above it which read, “Abandon hope, all ye who enter here.”

“Yikes,” I said. “Is this safe? Will we be able to get out of here?”

“Sure”, replied Kurt Vonnegut. “Just stick by me, kid, and we’ll be out of here faster than you can say Kilgore Trout.”

“I hope you’re right.”

Vonnegut tilted his head and gave me a wry smile.

“Aaaaah. You got me! All right, abandoning hope, starting . . . NOW!”

We passed though the entrance of Hell and into it’s first circle, Limbo.

“This is Limbo,” Vonnegut told me. “Unbaptized souls and all that. You don’t really believe in a literal heaven and hell, though, so it’s mostly just people you have no opinion about.”

“So this IS just a projection of my dying brain then? I was kind of hoping I was wrong.”

“It feels real, right?” Vonnegut asked. “So what’s the difference?”

He had a point.

Through the entrance, as my guide had said there would be, were thousands of people I felt nothing for, milling about, looking bored. I hardly recognized most of them, but a few looked vaguely familiar – half forgotten teachers staring into the middle distance, people I’d worked with pacing about, the entire cast of Leave It to Beaver, perpetually fighting off naps.

Soon we came to a river, kind of like the Red but more sulphureous and fiery, and with exponentially more damned souls waiting at it’s bank and shrieking in its bubbling waters.

“This is going to be a lot like Dante’s Inferno, huh?” I asked Vonnegut.

“It’s going to be whatever’s going on in the secret recesses of that idea machine in your skull. Probably your limited understanding of Inferno based on dozens of half readings with a bunch of random personal memories tossed in.”

“Cool, cool. Where’s the ferryman, I wonder?”

And there he was, suddenly, materializing in the sulfur mist, Sharon. Ch-aron? I’m not sure how to pronounce it.

The ghastly oarsman docked his boat, and bid us aboard.

“How do you pronounce your name?” I asked.

“Sharon, or Ch-aron. I’m not sure,” he said.

“Checks out,” I said to Vonnegut.

We hopped on the boat and headed for whatever I thought the second circle of hell would be like.

Turns out, we had to deal with Minos first, a hideous half man, half octopus, with the face of HP Lovecraft, who determines which circle of hell the damned will be relegated to.
“Let me handle this guy,” Vonnegut said. “He’s a real son-of-a-bitch.”

Minos’s greedy tentacles reached for me, but Vonnegut slapped them away.

“Not so fast, Jack,” he said. “We’re just going to scootch on by you, if you don’t mind.”

Chiron didn’t seem to mind. He shrugged what I assumed were his shoulders, wrapped a tentacle around Charlie Daniels, screamed, “Circle Three: Glutony!” and tossed the husky troubadour behind him like a spent can of Tiki Punch Shasta, fiddle and all.

Vonnegut and I kind of awkwardly edged past him, through the thin crack between his grotesque, slimy body and the stony outcrop at his side. He smelled like an old tin of sardines.

To get to the second circle of hell, we had to walk down a very steep flight of stairs with no hand rail. There was an elevator, but it was constantly nearly full of talkative strangers with poor personal boundaries. Horrific.

The second circle was for the lusty – sexed up men and women who couldn’t get enough of fucking and sucking, and were now condemned to be blown about by a terrible wind, symbolic of how in life they allowed themselves to be led by their penises and vaginas and buttholes and what not.

Still trying to catch our breaths from the long descent down the stairs, we were buffeted by the sexy gale, nearly swept off of our feet. Hugh Hefner blew past us, stupid robe flapping, his bony frame unable to keep him attached to the ground.

To combat the wind, to keep from blowing around in circles like that lecherous old wrinkled dick and the strong scent of cologne, talcum powder, and sex musk he left in his wake, Kurt Vonnegut hopped on my shoulders, and I piggy backed him through the wind-worn expanse, toward the next staircase.

On our way we encountered some of the most celebrated musicians and actors who ever lived:

Jim Morrison, still trying to write terrible poetry, even as the sheet of paper he was holding kept blowing out of his hand, only to be replaced by another piece which would invariably blow away before the pen in his right hand could reach it’s surface.

Noted rapist Errol Flynn, forced to perpetually sword fight the wind, which kept blowing the prop sword back at him, poking him in the eye.

Pope John XII was there, as were Janis Joplin, Lord Byron, and Wendy the Snapple Lady – a bit of a surprise – all struggling against the dastardly cyclone blasts in ways unique to their particular dirty deeds.

After what seemed like hours of struggle, we reached the staircase and Kurt Vonnegut alit from my back.

“Thanks for the lift, Hoss,” Vonnegut said. “You’d make one hell of a pack mule.”

“Thanks,” I said, “I have kids. You’re an excellent backpack.”

Down the stairs we went, toward Tier 3, for the gluttonous.

I assumed we’d meet Charlie Daniels there, and wasn’t wrong. He was being pelted by the icy rain, already beginning to melt into the blob of jelly that all residents of Tier Three must become. As such, I wasn’t able to identify any of the other denizens – it’s hard to put a name to a what looks like a pupa filled with lime jello – but I assume former President Howard Taff – namesake of taffy – was down there somewhere.

It’s hard to know what to do in an icy rain. Do you run or does that just cause the rain to hit you at a higher velocity? Do you walk, or does that result in being hit with more rain?

We chose to run, and it hurt like . . . well, hell. Cerberus the three headed hound waited for us at the other side. Thinking fast, I picked up one of the screaming blobs and hurled it at the vicious hellbeast, leaving my upper body looking like I’d just been a guest on Nickelodeon’s You Can’t Do That On Television.

It worked. While Cerberus tore into the damned soul, we hurdled past him and down the stairs, two at a time, like hyper active junior high school students.

“Way to use your old meat computer, kid,” Vonnegut said. “You’re really getting the hang of hell.”

Circle four is a massive hill surrounded by huge, perfectly round boulders. It’s inhabited by two categories of the greedy: Misers and spendthrifts, who begin their terrible chore at separate sides of the towering mound. Each cursed soul is assigned to a boulder and must push it up the hill, Sisyphus style. When they get to the top, they are inevitably met by someone from the opposite side and argue about whether it is better to spend one’s wealth extravagantly or to horde it. Obviously the spendthrifts are right, it’s not even a question. Anyway, the argument gets heated and somebody slaps a boulder and it goes careening back down the hill and then the other guy pushes the other boulder and then the whole thing starts over.

You can imagine who inhabits this place, I don’t need to tell you. A bunch of assholes on one side and some cool dudes on the other, mostly.

As we walked around the hill, Henry Ford told us we looked like a couple of Jews, and Vonnegut told him to go take a flying fuck at a donut. We high fived, and then looked kind of embarrassed about the high five and got on our way.

The fifth circle of hell is the most fun. It’s for the wrathful.

“You’re going to go just nuts for this circle,” Vonnegut told me. “As a figment of your imagination, I know you love celebrity feuds and spite – who doesn’t? – and this circle is chock full of those, but in a bubbling, boiling swamp of human waste.”

He was right, of course. There, sunk to their chins in what looked like a massive, hot sewage treatment tank, were every argumentative dingus I’d ever known or known of, all yelling at and grappling with each other. The din and odor were almost unbearable, but the sight was absolutely beautiful.

There was William F. Buckley, earlobes dipped in shit, screaming at a guy I’d blocked on Twitter last year. And Rush Limbaugh, new to the place, choking on the murk while being manhandled by my Great Grandmother.

It seemed to go on forever, each combative duo more satisfying than the last.

“My father is going to spend eternity here, I’m sure of it,” I said.

“So it goes,” replied Vonnegut.

“How are we going to get through this shit?” I asked Vonnegut.

“Probably some sort of boatman,” Vonnegut replied.

No sooner had he said this, than a hideous manbeast in a rowboat materialized from the hazy mire. He nodded at us and we hopped aboard.

Crossing the festering swamp, I saw ever more pleasing conflicts.

Richard Nixon with John Lennon in a full nelson.

Buddy Rich giving Huey Long the business.

As the boat neared the far shore, it began to shake. Someone was grabbing its edge, trying to pull us into the horrid muck.

We looked to the side and saw a feces splattered man with his hand on our craft.

“Jim Morrison! I thought you were in the second circle!”

“In life I was so shitty that they put me in two circles simultaneously!”

“Well, get off our boat, you wretched goofball, we’ve got more circles to see!”

I stomped on Morrison’s hand and he want flailing back into the gurgling waste, where he belonged. It felt good.

We arrived at the steps down to the sixth circle of hell, or so I thought. I’d forgotten that the circles of hell were divided into two categories: the first five circles for those who sinned through judgement and the next four for those who were actively malicious.

Dividing the two were the river Styx and the City of Dis.

Obviously I hadn’t totally forgotten it, or it wouldn’t be here. But I’d forgotten it in the moment.

“Listen. We’re just going to kind of skip over this whole business, if that suits you,” Vonnegut said. “There’s a lot of symbolism here that you really haven’t delved into and it’s just going to be a mess. This is already dragging a bit, don’t you think?”

“I do,” I said. “Let’s skip it.”

And so we did.

Upon further discussion, we just skipped the sixth, seventh, and eighth circles as well. Too bleak. Those guys that killed themselves and then become trees? Yeah, no thanks. Not getting into that.

And so we entered the frozen center of hell, steeled ourselves against its frigid winds.

All the expected no-goodnicks were frozen in it’s icy depths: Hitler, Stalin, Pol-Pot, Mussolini, Aleister Crowley, like two thirds of the Popes, GG Allin, and the entire bloodline that led up to the 45th president of the United States.

At the center was the Great Beast himself, the fallen angel, Satan, a massive three headed monster. In my hell, all of the faces looked like the worst president in history, the aforementioned Donald Trump, which is to say they looked like Jim Belushi wearing a Musollini mask made from ham fat after he’s been bobbing for apples in marmalade. Horrifying, but not unexpected.

Each head had a massive set of flapping wings, which were the source of the frigid wind.

In each of its mouths were cheeseburgers made from the bodies of slave owners and Puritans and former Presidents and slave owning former Presidents.

“Quick,” I said. “Let’s get out of here before he finishes his burgers and starts talking.”

“You got it, kid,” Vonnegut replied. “The bum news is we’ve got to go down his leg to get out. It’s going to be just awful.”

We did it anyway, and it was awful. I don’t want to talk about it. Halfway down, reality did a loop-de-loop and we were climbing up again, toward a light.

“Is that purgatory?” I asked.

“No, you haven’t read The Purgatorio. Pretty much no one has. That’s the end of the line for us. It’s been good knowin’ you, Messerschmidt.”

“Same to you, imaginary Kurt Vonnegut. Maybe I’ll slip in the shower one day and we’ll meet again.”

“Poo-tee-weet,” he said.

So I climbed into the light and out of hell.

Next thing I knew, I was was back on the muddy shore of the Red River, wet, cold, and shivering, but no worse for the wear, as they say. I grabbed the bag that said “The Phoenix Lights”. It was just a tent. But I needed a tent, so I took it, and headed home.

The end.

Sag Jinkins

Sag Jinkins

In 1972, Richard Nixon went to China and Neil Diamond recorded Hot August Night.

Incredible.

The Russians landed another unmanned craft on the moon, against all sense and reason, adding to their already substantial supply of rocks.

Impressive, nonetheless.

ABBA formed.

There was a flood in the Black Hills and The Godfather was in theatres. Watergate. Bloody Sunday.

Momentous occasions, all.

Busta Rhymes and Shaquille O’Neal were born. Ezra Pound died.

Carl Stalling died.

Sag Jenkins didn’t know about any of this. He was sitting, pants-on, in an overheated fiberglass port-a-potty, soaked in sweat, breathing the thick stink of 200 shits, swigging from an old glass liter vodka bottle filled with new cheap whiskey, now three-fourths gone. In twenty minutes, Sag Jenkins was supposed to jump thirty-five cars on his motorbike, and there was no way he’d make it. In twenty minutes, 227 attendees of the Argus County Speedway in Golgotha, South Dakota would watch Sag Jenkins die.

But for now he was drinking. For now he felt alright. Depressed but drunk, and that was as all right as he got these days.

Sag – born Sagory Troyal Jinkins III on the 10th of March, 1938, in, maybe ironically, depending on how you choose to define that word, a filthy, makeshift outhouse behind a perilous shanty in the god-and-everyone-else-forsaken Plimsol County of Wyoming – a town called – get this – Trashton – to Sagory Troyal Jinkins II, who was not present for the event, was rarely present, not really – was, at the time, drinking somewhere, presumably – and his young wife, Artis Barbara-Anne Jinkins, who was, obviously.

Present that is.

Sag was, at this moment, the moment we started with, before the jump that would kill him, in the port-a-potty, wearing his leathers – the Evel Knievel, red white and blue knock offs sported by seemingly all daredevils of the time – each with its own arrangement of the colors. Sag’s were a particularly heinous variation, with thin red and blue vertical stripes running from his red patent boots up to the increasingly doughy flesh of his neck – just starting to spill over the collar – even daredevils are forced to melt into oblivion if they don’t kill themselves first – with a single white star splayed across the back.

He looked like a fucking clown, would have felt like a clown sober. But he hadn’t found himself anywhere near that particular state – sobriety – for a substantial stretch in maybe six months – ever since his oldest son, Clinton Sagory Jinkins – a kid of thirteen, big for his age, with just enough sense to know that a man – even ones father, especially ones father – needs a punch in the nose every once in a while but not quite enough sense to always exactly know the right time to dole out that punch or hard enough fists, yet anyway, to make that punch say just what it needed to – had, despite of and because of these deficiencies, dealt him, Sag, a punch in the nose that, due to its lateness – or earliness, maybe, it’s hard to say – did not a damn thing but send his already spiraling father on an unnglorious bender – a particularly notable bender in a long stretch of less notable ones in that it was a predominantly sad bender – that, frankly, didn’t suit him any more than the leathers did.

Those ill suited leathers were now unzipped and pulled down to the waist so that Sag Jinkins’ growing paunch could expand to its full size, protruding from beneath his still thinnish, sunken, hair splotched chest like a loaf of uncooked bread on a warped, knife scarred, food stained old cutting board. The zipper dug into his flesh but at this point he was a sniff of what was in the bottle away from a blackout, so it wasn’t much troubling him.

The looming blackout hung just behind his eyes, narrowed his vision, and, so long as he didn’t open his mouth, focused his thoughts on the withered abstraction of his ego. If he did open his mouth his thoughts would go quiet and unhinged instinct would push out a jumble of slurred garbage and what was left of his ego would enter the world like rancid water from a tragic spit take.

That ego had taken some devastating hits as of late after a prolonged period of unreflected upon inflation – which we’ll get to.

But for now we need to talk about his face.

It was a fucking mess.

When Sag Jinkins was a young man – say 17 – he’d been what passed for handsome in Trashton – symmetrical and lean. English features, cockney English, warped by a few hundred years of questionable breeding, but warped in such a way that folks referred to it, on Sag anyway – he had many relatives to whom those same folks were less kind – as character.

The Jinkins name went all the way back to when the Brits had first shipped their undesirables to the New World, and those undesirables had been proving why they’d been branded that way ever since. They were, almost to a man, drunks, rascals, creeps, freaks, deviants, liars, losers, fuck ups, shits for brains, trash, bastards, sons of a bitch, mouth breathers, and beslubbering, dankish, flap-mouthed rogues.

There were some isolated exceptions, each with caveats.

Sag’s great-great grandfather, Troyal Hostetler Jinkins, for instance, who, yes, had been a drunk and a violent racist/misogynist to boot – few weren’t at the time, to give the requisite nod to historical relativism – but had also been a fireman, which in 1833 was a completely analogue occupation with an approximately 87% mortality rate. He’d gone a long way towards redeeming some of his shortcomings by saving folks from mortally unfair circumstances. There’d been burn scars over most of his body and exactly one half of his face to prove it.

A further example: Hostetler “Hoss” Sagory Jinkins, Sag’s great uncle, born in 1873, who, when Sag was 10 and Hoss was a deeply worn 75 shot Sag’s father in the back, killing him after some hammy death throes, in retribution for the murder of Hoss Sagory Jinkins III, Sagory II’s cousin, whom he had beaten to death over a game of horse shoes with, of course, a horse shoe. While this was far from a good deed it was certainly a just one, as the murder hadn’t exactly put Sag’s father off of beating anyone, and everyone with even a passing acquaintance with the man agreed that his ouster from the scene was a cause for celebration.

Which brings us back to Sag, who was, at the time in his life previously mentioned – 17 or so – all set, despite his fairly brutal upbringing, to be the finest Jinkins the bloodline had ever produced.

Aside from being handsome, he was smart, polite, kind. He never touched booze. Never showed any interest in sneaking or violence. He seemed to have been dropped into the unpleasantness of Trashton and his kin from Pubetron Fergleven or some other such alien planet and the Jinkins’ didn’t know what to do with him.

Once, when his mother passed out from huffing Floor Brite brand floor polish – the mere presence in the house of which was suspect as the wood floors in the shack were unwaveringly dirty and splintered, had never been polished, ever, never would be (when she purchased it, Doc Arbuckle at Arbuckle’s Five and Dime gave her the old stink eye, knowing as much) – she awoke with a brutal headache, but laying in her bed with the covers pulled up to her chin and not on the ground behind the house where she’d landed, and the shack had been cleaned to the extent that a shack can be cleaned. Instead of thanking the cautiously optimistic boy sitting quietly on the front steps – the only one who could have been responsible for these niceties – she just yelled at him to get more floor polish.

And there was the occasion of his Eagle Scout project that same year.

Sag had worked himself up from a diminutive Webelos to the brink of the honor through sheer, unsupported force of will. When he told Jinkins’ – his mother included – about the project he intended to helm as one of the required steps to reach the upper echelons of the BSA, they were mildly surprised to learn that he was a scout at all, despite the badge-laden uniform he constantly wore. They’d just assumed he was gay.

Sag the Fag, they’d often called him.

His project was to be the construction of a gazebo in honor of fallen soldiers, none of whom were Jinkins’, a family of draft dodgers going all the way back to the early days of the Indian wars. Had the Jinkins’ killed and been killed by innumerable Native Americans over the years? Absolutely. But not a one of them had done either in an official capacity. And a Jinkins had never, as far as any of them knew, laid eyes upon a native Englishman, a Spaniard, a Hun, a Viet Cong, a Korean, a Ruskie, or an Arab since they’d arrived in the New World. Not even a Mexican.

Sag’s gazebo was inspired by a movie he snuck into at a beat up movie house called The Schwartz two towns over, in Overton. He’d hitched his way there without knowing what was playing – just a dime in his pocket that he’d found in the street in front of . He’d pocketed it after much paranoid head flitting and a thorough check against the scout code and his own self-erected system of morality. The movie turned out to be a six year old print with one reel missing of Laurel and Hardy’s terrible war picture, Iwo Jima Screama, but it was enough to inspire a fiery love of country and appreciation for our boys over there – even the bumbling fat/thin duos among them – in a deeply sensitive boy just looking for something to hang his tattered hat on.

The actual gazebo part of the project was inspired by an overheard conversation between a pair of old women he’d passed on the sidewalk after the movie. He didn’t get the context, just heard them say it: GAZEBO. He thought it the most beautiful word that had ever vibrated his ear bone. GAZEBO. He had no idea what it meant, but, as luck would have it, Overton had a library, and as the town was no bigger than a city park, the library happened to be not fifteen feet from where he stood silently mouthing the word. GAZEBO. He rushed in and straight to the elegant, almost holy – to Sag, anyway – Encyclopedia Britannica set that resided there. It wasn’t the first time he’d consulted it as his family didn’t know much and was pretty tight lipped about the little they did. And, of course, there wasn’t a book besides the Bible anywhere in Trashton, and even those mostly just collected dust. He grabbed the G volume, took a deep whiff of its musky aroma, and flipped right to the correct page:

GAZEBO: A roofed structure that offers an open view of the surrounding area, typically used for relaxation or entertainment.

Relaxation and entertainment were two things sorely lacking in Trashton. There was plenty of idleness, but that is not the same as relaxation. Idleness taxes. Relaxation refreshes. And as to entertainment, the horsefeathers that folks got up to were far too cruel to be considered that.

Next to the definition there was a picture, a color photograph. Sag thought its beauty damn near matched the beauty of the word. It was an open air palace, an elegant commingling of the works of man and Mother Nature. A cathedral with walls painted by God.

He would build a GAZEBO, he decided. And he did. He got the necessary building permit, collected scrap wood, borrowed tools, and performed odd jobs for scant pay to raise the money for the necessary materials. He worked tirelessly, single minded for 5 months, totally alone, documenting every step for the presentation to his Scout master.

He measured. He cut. He beveled and sanded and stained. The work was slow – he was learning on the job and his limited funds meant doing only what he could afford before raising the money necessary for the next step.

The Gazebo took shape, became beautiful.

Sag was pleased with his work. More pleased than he’d ever been with anything.

And then, on the day he arrived at his worksite for the final step – attaching the plaque he’d had engraved at no small cost for the Gazebo’s base – it read “Veteran’s Memorial Gazebo – Sag Jinkins Salutes You!” – he found his uncle – or maybe he was a second cousin, keeping track was difficult and unsatisfying – Hickory Sagory Jinkins, an especially wild and dim witted member of the clan, in just his soiled britches, soaked in sweat and looking somehow both feral and leisurely, swinging an axe at the splintered remnants of the gazebo’s base. The rest had been thrown in a pile behind him.

Sag nearly fainted. There was panic, like drowning, and then there was rage, like a swarm of bees. Then he was charging his cousin/uncle with the heavy bronzed plaque held over his head, screaming – high and clear at first, then lower, becoming hoarse and manly – his brown eyes dark and sharp.

Hickory looked up with a dumb, gappy, mean, smile. Shouted, “Ran out of firewood, Fag!”

He meant to juke the boy, send him to the ground, but froze as Sag got closer. He saw his eyes, saw the boyishness drain from Sag’s face above the Scout’s kerchief, lost his smile, said, “C’mon, man, just hold on . . . “ and then Sag was on him. The first blow from the plaque drew blood and the second took consciousness. The third and fourth and fifth knocked out Hickory’s remaining, precarious teeth, crushed his already crooked hog’s nose, caved in his forehead. The sixth killed him. The blows after that just made a mess.

When he was too tired to swing the plaque any longer – Sag Jinkins Salutes You! – Sag dropped it where he stood and walked home, his scout uniform torn and soaked with blood and sweat.

His mother was passed out, so he washed up and changed without a word, hitched a ride to the nearest enlistment office, and joined the military.

His face.

Sitting among the fetid emissions of the excretions of humanity’s most despicable sub-category, South Dakota race track patrons, Sag Jinkins poked at his swollen upper lip, and felt, barely, pain below the thick, coarse, blood crusted shag of his jerky-brown moustache and the progressively belligerent/depressed detachment of his thick intoxication. The lip was grotesque in its bigness and the bottom lip made the top lip look regular sized, if you can believe that.

And why wouldn’t you?

One eye was open, barely, and the other would probably never be of any use to him again. Something kept seeping out of the tight slit and, had he been sober, he’d have worried that it was the viscous jelly of the eyeball itself.

But the most distinctive feature of his face currently was the ear to ear, forehead to chin bruising.

There was not a whit of undamaged skin on the entirety of his head. The bruising varied in color – charcoal, navy, sky blue, piss yellow, blood black – was almost psychedelic, like a bad tie dye job or an old marble.

The rest of his body, aside from the phantom screams of past dare deviling mishaps, was fine, mostly. The burly truck driver whose sandwich he’d befouled two days previous had, curiously, only punched his face, but he’d been thorough in that.

And the less so but still quite burly Frenchman whose sandwich he had also befowled later on the same day had shown no deference to the injuries already there and also confined his substantial abuse to the head area.

“Fuck a sandwich” Sag spat, slurred, blubbered within his rank dressing room. “Fug a sanich,” is how it came out. “Man eats a burger, or at least a hot dog.” “Anesebwerga, o’leash ah ‘ot dog.”

He took another swig off the bottle and the blackout came, quietly dimming his conscious mind to darkness while his body looked the other way. The body, now free of all but the most primitive regions of his brain – the hard little lizard part – shot its right, booted foot into the porta-potty door, dislodging the paltry, rusted lock, exposing the man inside to the humid South Dakota air and freeing the human stink within to mingle with the horse stink without.

The year Sag joined the Army, 1955, was, as luck would have it, a rare gasp of peace between the nonsense in Korea and the nonsense in Vietnam. Less lucky was his assignment to Fort Blaird just outside of Tallahassee, Florida, under the government sanctioned micro-fascism of Sargent Dick Fedora, a grisly, obsessive compulsive sadist with a wonky glass right eye, astonishingly thick thighs, and a Himlerian sense of social justice.

Sag immediately accepted him as a father figure, as he had his own father, his maternal grandfather, a couple uncles, some cousins, Doc Arbuckle, the Overton librarian, Mrs. Evaline Gumbody, a particularly noble neighborhood dog, Roger, and his Scoutmaster, Terrell Niceley.

Sargent Fedora had no interest in being a father figure – barely had an interest in being human – but he was happy to manually atomize Sag Jinkins and reconstruct him as what was, essentially, a rule abiding, survivalist, neatness machine only homonymous with the boy who had enlisted.

The new Sag Jinkins also had a moustache.

He left the army in 1957, honorably discharged due to a modest nervous breakdown, brought on by a particularly brutal dressing down from Sargent Fedora – he referred to Sag as “mountain trash” and “worthless as crusted cum on a dead vagrant’s trousers” and “simple – Amoeba simple” and “uglier than Lou Costello’s unwiped asshole” and “less of a man than one of Mamie Eisenhower’s shriveled old eggs” and “queerer than a box of dicks in Tab Hunter’s basement” and “the worst white person ever” and “duller than a Utah Tuesday” and “bad at everything” – as well as a the lingering guilt from the murder of Hickory, which no one back home had paid much mind to or even noticed, really.

Hick wasn’t particularly well liked, mostly on account of he was good-for-nothing and an unbelievable bastard, even more so than the average member of the Jinkins clan. His body had been devoured by crows and the bones divvied up amongst themselves by local children who stumbled upon them during their daily unsupervised wanderings and mostly used them as “thumpers” or just threw them into various local cricks and sink holes, of which there were many.

Sag, of course, was not aware of any of this and assumed that he would eventually be brought to justice by both earthly and divine law.

This all culminated in a brief stint of violent weeping in the community shower, followed by a near catatonic state. He just stood there, nude, battered by water, staring straight ahead, arms at his side, while the other soldiers did their best to ignore him. They rushed their rinsing and filed out. When they came back the following day, Sag was still there. The water had long ago turned frigid and he was shivering – compressed shivers, but tooth rattling. Still standing. His skin was wrinkled and blue and his breaths were short and fast, but he didn’t blink and he didn’t react to their entrance.

A medic arrived. When he placed a hand on Sag’s shoulder and asked him if he was okay, Sag collapsed.

When he awoke five days later he was in a bed at Dr. Humbert Cripe Memorial Hospital in Tallahassee, feeling a bit lost but not bad, considering. His skin had smoothed itself out and regained its original color and the hypothermia had gone into remission.

He improved further when told that he was being discharged and a very drunken call from his mother – who had waited exactly 129 hours after finding out about his hospitalization to call and ended by asking for money – assured him that he wasn’t, and wouldn’t be, in any trouble for his crime – at least from Trashton’s finest. He still had the Lord to deal with, but that, hopefully, was a good ways off, and, besides, some light prayer would clear his record right up, or so he’d been told.

After being approved for release by the hospital he stopped into the gift store on a whim. He didn’t have anyone to buy anything for, but he also didn’t have anywhere to be.

Perhaps he’d buy himself a decorative pillow or some chocolates. Live a little.

And there, among plastic roses and hovering balloons and pastel greeting cards and various trinkets, knick-knacks, and stuffed what-have-yous, he saw a young woman with an old woman’s pristine, tight perm, below which – and under a pair of profoundly unfashionable glasses – was maybe not the most beautiful face he’d ever seen, but a pretty nice face. A significantly better face than any of the faces back home. A friendly face, anyway, and it was smiling, though her thin lips made it a subtle kind of smile. Below the face was a body, formless but clearly very thin beneath a modest, floral print dress. Attached to that dress was a name tag that read, “Lynette”.

He said, “Hello.”

Her full name was Lynette Knobnoster and she and Sag were married one and one half years later in a small ceremony at Oblivion Baptist Church followed by a reception at The Feisty Squirrel, a popular local bar, all paid for by her father, Harlan “Happy” Knobnoster, a glad-handing, muscle-gone-to-fat bodied, short sleeves with a tie, ex high school football star, WWII veteran, and drunk, with a flat top haircut unsuccessfully hiding a growing bald spot and sole ownership of Happy Knobnoster’s Tallahassee Chrysler, one of three preeminent vehicle dealers in the greater Tallahassee area. He was a classic Florida Panhandle, Greatest Generation, grade A prick, and, of course, Sag had an immediate and omnipresent desire to call him Dad, though he didn’t because Happy would have hated it and glared at him with that perplexed, unruly eyebrow raised, eye squinting look that brought to Sag’s mind all of the things that Sargent Fedora had called him.

Sag and Lynette loved each other, and both grew bolder over time, more interesting – nuanced and sexual. But neither had been those things before and in the beginning their love was staid and chaste. Sag couldn’t be anything but. He was broken by his life experience thus far. And his military pay was meager, so until he could build some savings they lived with Happy in the guest room of his rambler.

Happy framed it as an almost saintly act of charity, but in reality he couldn’t bear to let his daughter go and showy acts of generosity and cruelty were the only way he knew how to give affection. Mrs. Knobnoster – Honey, her name was – had passed some years earlier, succumbed to a combination of pills, boredom, and repressed feminism, though the cause of death was, officially, heart failure. Lynette was all he had left and he knew it.

The living arrangement, of course, limited the newlyweds in many ways and didn’t do much for Sag’s already suffocating sense of emasculation, but he just didn’t have it in him to propose an alternate solution.

Unsatisfied with merely infiltrating his home and daughter, Sag began working for Happy at the dealership. Neither was pleased with the arrangement – Sag had always secretly hoped to become a Veterinarian – but they would both do anything for Lynette and this seemed to be the only way they could love her at the same time.

So they made do.

Sag was Happy’s errand and whipping boy. A meek but effective and helpful presence at home and at work. An unflinching listener to drunken ramblings. A rage outlet. And Happy kind of grew to like Sag, though he would never have told him that and continued to treat him as though he were more rescue monkey than human being.

And that’s the way they lived until Clinton was born in 1959. Lynette got pregnant the first time she and Sag successfully copulated. Successfully only in that penetration and ejaculation were involved. It was a brief affair, awkward and unpleasant for all involved, including Happy, who heard the whole thing and loudly told everyone at the dealership about it the next day while Sag unsuccessfully held back tears in the bathroom, the salty drops falling on his woefully inadequate four and seven-eighths inch penis.

But impending fatherhood had a profound effect on Sag. It reconnected him to the boy he’d been before the military – independent and good and confident. He hadn’t realized that he’d lost those things, become withdrawn and timid. Whip shy. In the months before the birth, he began to walk faster, smile more. He didn’t defend himself against Happy, exactly, but he took the abuse in a way that sucked all the pleasure from doling it out.

And despite a still somewhat meager bank account he began to make preparations to move out of Happy’s home – across town, to what Happy protested was a “bad neighborhood”, though in fact it wasn’t bad so much as slightly diverse.

The Sagory Jinkins’ had a good life.

A second son, Harlin, came along 2 years later. Sag became an accomplished salesman, though he couldn’t help but kowtow to Happy. The kids became boy scouts, Sag their Scoutmaster. He was proud. He was content.

Sag vomited between his legs.

It came out in a quick, hard stream, and then dribbled from his appalling lips like shit from a trotting horse’s asshole. He stood up, fell back down, got up again, fell down, got up, tottered, got his bearings, spit – as much blood as vomit – and stumbled out of the port-a-potty. He unzipped his leathers a few more inches, pulled out his still four and seven-eighths inch, worse-for-the-wear penis and pissed on the side of the rectangular toilet.

He was mid-stream, wheezing from his grotesque mouth-hole, when a blast of ice water from his right side toppled him to the dry, hot, Dakota dirt and brutally yanked him from the abyss of his black-out, back to hideous awareness.

He groaned, brushed away some pebbles that had dug themselves into his left palm and looked up, directly into the sun. Just to the right of the life-giving, blinding orb was the silhouette of a tall, bulky man in a cowboy hat.

“Jes-christ, if I did som’n to your fuggin’ sannich, I’ll jus’ buy you a fuggin’ new one.”

“What? Oh. That, I say, will not be necessary. I’m sorry I had to do that, Sagory old boy, but I’m sure you understand. You got to straddle that bike of yours and hop over a whole heap of cars in no fewer than 12 – make that 11 – minutes. Hot damn, son, you look worse than a pig foot in a dog house. And you smell like 6 loads of shit on a hot day. You been drinking inside that terlet, huh? We’re going to have to get you some tincture toot-sweet – right after this jump. Your whole face looks infected and broken and I’ll be got-damned if your chakras aren’t in complete disarray.”

The man standing above Sag holding an empty, dripping, 5 gallon bucket was Batton Trowel, Sag’s manager, a cartoonish Old Southern Boy along the lines of Boss Hog or Huey Long, but with a vague New Age twist. A featherless Foghorn Leghorn accented with turquoise. The man who had ousted Happy Knobnoster as Sag’s father figure with compliments and a smile but somehow treated him worse than Happy ever had.

Trowel was garishly dressed, as per his personal style, in a kind of Tex-Navajo oil Barron thing that he felt leant him airs of mystery, aristocracy, and masculinity that couldn’t, under any circumstance, successfully coexist.

His shining blue Iguana skin boots moved toward Sag, and Batton bent over to help the battered man to his feet.

“You get yourself zipped up and then run on over to yon fence and back just as fast as you can. We need to get some blood pumping to that head of yours. Then we’ll do a prayer and get the show on the road, so to speak.”

Sag did as he was told. Wrestled with the zipper and took to, not a sprint, exactly, but a hurried, loping hobble in the general direction of where Batton had pointed.

The following is a speech that Sag Jenkins delivered to a group of 256 Boy Scouts at the Mertice Hambubger Memorial Jamboree in Climax, Georgia on April 13th, 1969, on the occasion of their completion of a group charity project that had cleared four square acres of various debris and repaired the houses of 16 impoverished families and individuals. The project didn’t officially have a name, but Sag thought of it to himself as Operation Gazebo Redemption, or OGR:

“Gentlemen, I stand before you today a proud man and a hopeful man. I look at you and I see everything I’ve always wanted to be.

I see confidence and drive and brains.

And I see the future. And I see how wonderful that future looks.

I look at you and I see honor and loyalty and all the other traits a scout pledges to have.

Say them with me won’t you?

A Scout is Trustworthy, Loyal, Helpful, Friendly, Courteous, Kind, Obedient, Cheerful, Thrifty, Brave, Clean, and Reverent.

That’s right. Well done.

But I see more than all of that even when I look at you.

I see my boys. Scratch that. My men. And I hope you’ll forgive me for feeling possessive. I would never be so arrogant as to claim responsibility for your goodness. That was there from the start.

I mean “my” in that I belong to you.

Does that make sense?

You’re as much a family to me as I’ve ever known. And I wouldn’t have it any other way.

When I first became a Boy Scout – 1951, it would have been – I didn’t have much in the way of family, or anyone that acted that way anyhow, and it was the first place I’d ever really felt I belonged.

But I didn’t really feel that I belonged to a family in the true sense until I met my wife and I didn’t feel like that family was complete until I became your Scoutmaster.

So, today, after completing such good work with such good men, I just want to say thank you.

Thank you.

You are so terribly important to me and I hope you know that I will be here for you for as long as I’m breathing.

And that’s all I have to say.”

Three days later Happy Knobnoster called Sag into his office at the dealership.

“Sit down, Sag, sit. I’ve had an idea and I think you’re just the man for the job.”

This was beautiful music to Sag’s ears. All he’d ever wanted was to be the man for the job, and to be the man for Happy’s job, finally, was almost too much to take. He sat, but just barely.

Happy looked at him with just a tinge of disgust. He detested enthusiasm.

“You know that Evel Knievel fellow that the boys love so much? The one with the motorcycle?”

“Yes, sir, I do.”

“Goddammit, Sag, stop calling me sir. I thought we were past that.”

“Sorry. I’m just excited to get started on our project.”

“You don’t even know what it is! But – sorry – I’m glad you’re excited. Sag, you’re family and I appreciate how far you’ve come in this business. So I wanted to tell you before I told everyone else that we’re going to start selling motorcycles – Indian Motorcycles.”

“Wow! That’s fantastic!”

“It is. With that Knievel fellow as popular as he is, motorcycles have never been more in demand and we’re going to capitalize on that.”

“You, uh, you said I’m your man? What do you need me to do, sir?”

“Goddam . . .“ Happy calmed himself. He was about to ask his son in law to do something very stupid and supposed he could at least be nice about it. “Well, Sag, I’ve got an extra special job for you, my boy.”

Sag swooned. My boy.

“We’re going to promote our new venture with a daredevil show just like Knievel’s. I want you to jump over some cars. And some snakes. AND a gator or two.”

Sag was taken aback. He’d never ridden a motorcycle.

“I’ll do it!” he nearly shouted.

On the day of the daredevil show – Happy Knobnoster’s Indian Motorcycle Daredevil Spectacular, it was called – Sag was terrified. He paced back and forth inside of the dealership dressed in an outrageous, too baggy and uselessly thin polyester blend version of the leathers that would eventually become his trademark. One half of the dealership’s sprawling lot had been cleared out for the event and maybe 100 motley spectators milled about, sparse on the empty blacktop, sweaty and sullen and smelling, as a whole, like BO and stale drink, unlikely to have the cash on hand to by a new car – a new anything – in the foreseeable future.

Harv Tuboo from the local TV news was there with his cameraman, looking miserable. He could afford a car but was a Buick man. There was a reporter from The Tallahassee Times watching from a barely functional Camaro. Two ramps – one for take-off and one for landing – were in the center of the lot. Sag had built them himself, with the help of his boys. They were gorgeous, solid and painted blue with the Indian Motorcycle logo dead center on the curve. No worries there. In between the ramps were four beat up brown Chrysler Saratogas, in two groups of two, separated by the trash menagerie Happy had put together: A much sedated old grizzly bear with matted fur and one eye, sitting on his haunches and staring off into the distance, thinking of better times or dreaming of death. Two equally drugged raccoons which Happy had trapped himself, as he told anyone who would listen, with a fishing net as they’d sifted through his garbage. A large snake of indeterminate genus, and a pig, on loan from Squeaky Chuck’s Fresh Meats and Animal Fat Candles, located right across the street. It wasn’t exactly the collection of predators he’d had in mind. The beasts were penned up with chicken wire, but only the pig seemed to have any life in him and he was just running in tight, gleeful circles, happy for a brief reprieve from the butcher’s knife.

The creatures weren’t what worried Sag. What worried him was his lack of proficiency on the bike. He just couldn’t get the hang of the damn thing. He’d practiced every day for two weeks. First on the street in front of his house and then, when that became too embarrassing, on a forgotten county road, and could still barely turn a corner without laying the bike down. His legs looked like the fresh ground hamburger they sold at Chuck’s and he’d torn all of his dungarees to denim ribbons. His eldest son had taken to it immediately – popped an effortless wheelie almost right out of the gate – and offered to take his place, but Sag wouldn’t hear of it. Too dangerous he said. Who knows what kind of monsters he’ll have between those ramps.

So now he was pacing. Whispering platitudes. Shadow boxing here and there.

Happy pushed in through the front door, smiling and waving at someone outside. He was wearing an expensive, dark blue, polyester, western style suit and a big white Stetson. When he turned to Sage the smile disappeared. “God damnit! I was led to believe that the fucking assholes in this dog shit city couldn’t get enough of this fucking motorcycle baloney. If that crowd out there emptied their pockets and combined everything they had, you’d get about forty two cents and 50 half packs of cheap smokes. How’m I gonna sell motorcycles to folks with no cash? Sag, what in the name of fuck are you doing?”

“Pepping myself up, sir.”

“Pepping? Jesus Christ. Pull yourself together! You’re going to be fine. It’s thirty fucking feet and a god damn petting zoo. Do you know what you need? You need a drink. I just happen to have some whisky in my office.”

“I don’t drink, sir. You know that. My family is filled with drunks. And I don’t want to be like . . .”

“Yeah, I’ve heard it. It’s just a drink and it’s just this once. I’ve had several today and I feel tremendous. Give you enough confidence to jump over those hills you crawled down from.”

Happy retrieved a bottle of Canadian Club from his bottom drawer. “Here. Healthy slug’ll get you right where you need to be.”

Sag took it. Drinking had never crossed his mind, really. He’d seen so much of it, suffered so many of its consequences, that to drink himself seemed akin to running into a burning building. He’d do that for Happy. And he had to do something. He couldn’t go out there and jump those cars in the state he was in. The folks – meager and rag tag as they were, though they looked all right to Sag – expected a hero. He didn’t feel like a hero at the moment. So he put the bottle to his lips and took a drink.

The most racking pangs succeeded: A grinding in the bones, deadly nausea, and a horror of the spirit that cannot be exceeded at the hour of birth or death. Then these agonies began swiftly to subside, and he came to himself as if out of a great sickness. There was something strange in his sensations, something indescribably new and, from its very novelty, incredibly sweet. He felt younger, lighter, happier in body; within he was conscious of a heady recklessness, a current of disordered sensual images running like a mill-race in his fancy, a solution of the bonds of obligation, an unknown but not an innocent freedom of the soul. He knew himself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold a slave to his original evil; and the thought, in that moment, braced and delighted him. He stretched out his hands, exulting in the freshness of these sensations.

“Got-daaaaamn!” he shouted and brought the bottle up to his lips again.

“Whoa! Hold on there boy! Pace yourself!” Happy couldn’t believe the sight before him. His mild mannered son-in-law had lifted the bottle to his serene, boyish face and, when it dropped, a new man had taken his place. A wild man, ruddy faced and wicked eyed. His eyebrows seemed to have grown bushier and Happy could have sworn he saw the beginnings of a five o’clock shadow that hadn’t been there before.

Sag finished the bottle with five bobs of his suddenly prominent Adam’s Apple and whipped it underhanded at the plate glass wall of Happy’s office. The wall shattered and glass cascaded to the floor. “Time t’ jump a motherfffffffucking motorcycle, pops! Whoooo!” He clapped the stunned old man’s face between his hands three times, turned heel, and strutted toward the door.

And now, if you’ll indulge me, a shift in perspective. What follows is an artful imagining of the ensuing events as Sag might have told them in the days before his tragic end.

Tear it down! Tear it down! That was the first thought in my noggin and I damn well knew what it meant. Stop being Sag the Fag, is what it meant and start being a Jinkins. Made a lot of sense. I am a Jinkins, after all, first and foremost. And so that’s what I did, right then and there. I clapped that old asshole that’d been lordin’ up over me for much too damn long. Ooooooweee, you shoulda seen the look on ‘is face. Looked like a damn hog with a stick jammed in his asshole. And then I smashed his fuckin’ window and that felt real good and I got the fuck outta there before he could say some dumb shit’d make me knock him on his ass. And holy shit was I feelin’ good. It was like the first day of my fuckin’ life, is what it felt like. I’d been wastin’ so much time worryin’ about everyone else and worryin’ ‘bout why they wasn’t worryin’ ‘bout me, and all this time it was just cause I was missing this one thing. Booze. They’d had it and I didn’t. And now I did. It was like I’d been slouchin’ around on all fuckin’ fours and wondering why everybody’s so much taller’n me and then finally standing up and I’m seven foot fucking two. Felt great, that’s all I can say. Felt god damn great. And when I got outside the sun felt better’n it had ever felt and the world looked better’n it had ever looked and those folks looked like fucking peasants and I was their fucking king and it was time to give them a god damn show. So I hopped on that motorcycle and it felt like I belonged there, like it had been built just for me and I couldn’t believe I’d been such a fuckin’ candy ass dumb shit before, of course I could drive this thing, and I turned it on and revved the engine and all of the peasants looked at me, including a chunky blonde one in short shorts and big ass hair in the back – she was wearing a little t-shirt that said “Scooter Hussy” on it with her hip fat poppin’ out from under it – and I thought “I’m gonna have sex with that one” and then I was off and I jumped over those cars n’ critters just as easy as you please, hovered in the air like a glorious golden eagle, landed like god damn nothing and hopped off the bike while it was still rolling and strode over to that fat girl and she looked just shocked and I said, “I’m gonna have sex with you,” and she just nodded yes and we walked away from the whole thing – everyone was kind of running around and panicking because the bike had just shot right through them – didn’t hurt nobody, though, just ran over some whiny fucks foot and banged up the newspaper guys piece of shit car – and I did have sex with her, from behind, in back of Squeaky Chuck’s right across the street and when I finished I strode back to the dealership and everyone was still there and they was going fuckin’ crazy, cheerin’ and hollerin’. The guy from the news wanted to talk to me and I said, “Sure, why not.” He asked a bunch of dumbass questions and I don’t remember what I said, but at some point I go, “Cause I’m Sag Fuckin’ Jenkins and gravity don’t mean shit to me”, which kind of became my catch phrase. I was on the news that night and it caused a big sensation. Real big.

A news report from that evening:

Pandemomium erupted today outside of Happy Knobnoster’s Tallahassee Chrysler and Indian Motorcycles when a man jumped a motorbike over four cars and some animals, ran over 3 spectators, and crashed into a parked car.

The man has been identified as Happy Knobnoster’s son-in-law, Sagory Jinkins. We go now to Harv Tuboo at the scene.

What the devil’s going on out there, Harv?

Thanks, Jersey. I’m here outside of Happy Knobnoster’s Chrysler and Indian Motorcycles on a day that was supposed to promote the sale of Indian Motorcycles, a new addition to the lot at Happy’s. But this is one dealership that has maybe got more than it bargained for. The daredevil, local man and Knobnoster’s son-in-law, Sag Jinkins, successfully made the jump without much warning, landed hard, clumsily dismounted from the bike, and quickly exited the scene with what looked to be a portly lady of the night, while his cycle proceeded through the crowd, striking three onlookers and seriously injuring one, then crashing into the parked car of Melton Manehand, a reporter for the Tallahassee Times.

Let’s show the footage:

(revved engine, whooing, crashing, screams, crashing – very quick)

And here comes the daredevil himself. Let’s see if we can get a word with him.

Mr. Jinkins! Harv Tuboo with Tallahassee 6 news. Can we chat with you about the jump?

Sag: Whoooooooooooooooooooooooooo!

It sounds like you’re feeling pretty good. Did the stunt go as you expected?

Sag: Just porked that blonde one!

I’m sorry, what’s that?

Sag: The blonde girl. Porked her. Whooooooooooooooooooooooo!

Mr. Jinkins, have you ever done anything like this before?

Sag: Porked!

The jump, I mean.

Sag: I’m Sag (bleep)in’ Jinkins and gravity don’t mean (bleep) to me! Whooooooooooooooooooooooooooo!

Well, there you have it folks.

Sag: Tear it down! Tear it down! Whooooooooooooooooooo!

Tallahassee’s very own daredevil, Sag Jinkins. He’s certainly somethi … and now he’s vomiting.

From Happy Knobnoster’s Chrysler and Indian Motorcycles in beautiful Tallahassee, I’m Harv Tuboo. Back to you, Jersey.

Booze instantly turned Sag from an ideal citizen to a compelling monster, and by the time he finally sobered up again – three weeks later – he was locally infamous, nationally noteworthy, and personally fucked.

He had accomplished the following:

He’d slept with the second, third, fourth, and fifth women he had ever known carnally, his wife being the first and the girl at the jump the second.
Three, four, and five were an inelegantly aging bar waitress named Gert, a nameless juvenile delinquent from the skating rink, Roller’s, at which he’d done his second jump – an unsuccessful, thrown together but well attended affair featuring the same ramp from before, but on fire, that left him with a broken leg that he didn’t get treated for six days, and Muriel Vendetter, the nurse that helped administer his leg caste, who he would continue to see occasionally for some time after.

  1. He’d been on the news on four more occasions, for the Roller Rink jump, for breaking the Florida distance record (even with a broken leg) at the Leon County Fair, for being thrown out of three Piggly Wigglies in one day due to disorderly conduct and arrested for drunk driving while fleeing the third on his motorcycle, presumably to find another, for crashing his bike through the display window of a rival car dealership (resulting in another DUI), and for a fourth, nationally televised – on Wide World of Sports – jump where he broke his arm attempting to make a jump that famed female Daredevil, Pamela Gorch, was preparing to make. The camera crew was there for her and she’d arranged the whole thing. Sag just roared in out of nowhere at the last minute in full regalia, which now included his soon to be famous and previously mentioned leathers, bought for him by Happy, who had gleefully taken on the role as his manager, much to the chagrin of his daughter. Pamela was standing on the take-off ramp waving to the crowd, preparing to make the jump herself, which she would, once his shenanigans were complete, to little interest. Sag blew past her out of nowhere and crashed just short of the landing ramp.
  2. He’d discovered that Canadian Club was his drink of choice and consumed 16 and one half 1.75 bottles of the stuff. This heroic intake was possible mostly because somewhere in the second week he’d also discovered cocaine when a man named Brian Beanblossom, a prominent dealer in the Talahassee area, offered him some early in a long night of yucking it up at a pay-by-the-week hotel attached to a crumbling bar called Stucko’s.
  3. And, most troubling of all, he’d disbanded his Scout troupe in a drunken flourish of profanities after suggesting – to the horror of all in attendance, parents and kids – that they go rogue and take up bank robberies.

Now he was lying in the fetal position on a tattered love seat in a dark room in his own house, wracked with guilt, dehydration, and early withdrawal, desperately trying to ignore the incessant itching under his arm and leg casts, which were all he was wearing aside from filthy briefs.

What had he done? What had come over him? I will not let this happen, he thought. I will not be a Jinkins but I am a Jinkins I am, I’m terrible, and it’s all falling apart, too late to stop it, and my heart is beating so fast, I’m going to die, something hurts inside me. My liver? Did I wreck it already? Pappy Jinkins IV died from liver failure but it took him 84 years but had he ever killed a man with a plaque in a rage fury? Is this God coming down with his vengeance? And what of it? Am I not allowed to have any fun? Fuck it. I can have fun. I was just having fun. But there’s no way that Lynette will stay with me. Why would she and the kids and oh god what will I do alone and those women oh that one was young and the waitress was so gross that was awful but no better than what I deserve, maybe if I just have another drink I’ll feel better and this will stop or maybe I’ll just die and this will stop, but maybe just a drink, maybe I should throw up again, what if the kids come in here, why can’t I fall asleep. Fuck, fuck, fuck, fuck.

His wife was in the living room with the kids, TV turned up, trying to keep them from wondering or asking anything, terrified, unsure of what to do. It had all been so sudden. Another woman might have packed up the kids and left already, but where to? Back to Happy’s home? He was complicit in all of this. And love and the desire for stasis are powerful incentives to dig in ones heals, so that’s what she did.

Sag had quietly – though not quietly enough to avoid his wife’s sad notice – dragged himself into the bathroom to vomit again and was staring into the toilet bowl, mouth wet and eyes red, when he heard Sag burst through his front door and greet Lynette and the kids.

Lynette said, “He’s in the bathroom, vomiting. Leave him alone”

Happy ignored this. Sag heard the stomp of his approaching boots and then the door flew open.

“God damn, son, pull yourself together. We’ve got an opportunity!”

He walked in, bent over, and hoisted Sag from the linoleum floor into the bathtub, where he landed flat on his back with his head squished against one side of the basin and his legs over the other. Happy turned on the shower. Sag barely reacted to the cold, had a brief flashback to his military breakdown.

“Son, you lost all your money and I can’t rightly allow you to continue working at the dealership, what with your tarnished reputation.”

Sag began to weep.

“You are a much wilder son of a bitch than I ever thought possible, got to hand you that,” Happy continued. “Didn’t think you had it in you. And while I don’t approve of what you’ve done, it has resulted in a certain . . . let’s call it a cache. Folks are itching to see you die, my boy, and while I don’t want to see that happen myself, I do believe we can make some cash dangling that possibility before the greedy eyes of the public.”

“OH, God!” Sag sobbed.

“Here’s what I come to tell you. The Wide World of Sports wants you back. A redemption of the asshole kind of thing. I’m working on organizing your biggest jump ever and they’re going to cover it. You’ll also get 15% of all ticket sales – of which I will, of course, as your manager, be entitled to 40%. Could be one hell of a payday. I’ve made a considerable investment and booked the Miami Orange Bowl stadium. 80,000 seats. And $30 a ticket that’s, well, just let me worry about what that comes to.”

Sag sat up. “How did you do that?”

“Do not worry about that either. What I need from you is publicity. Fix yourself up and let’s go talk over a beer.”

They had the beer – many, many beers, in fact – and they worked out the stunt, and Sag went about doing dozens of interviews that ranged from humorously sloppy and crude to unbearably sloppy and crude, but they did the trick. Anticipation for his jump at the Orange Bowl was high and the event sold out. Everyone loves the redemption or death of a fool. Viewership of that week’s episode of Wide World of Sports was staggering. A full 40% of all Americans with televisions tuned in and, presumably, many that didn’t watched from a filthy bar or through a window.

On the day of the jump Sag was relatively sober and monumentally charming in his interview and he landed the jump without a hitch.

He was famous. Very famous – just a bone shard short of Evel Knievel famous. There were endorsement deals – with Indian Motorcycles and Tiger Balm and Mrs. Butterworth – and there were more high profile stunts, all of which resulted in piles of cash – enough to jump him 3, maybe 4 tax brackets – and enough to convince Lynette to stick with him for a while longer, see how this all played out – he was hardly home anyway and their new digs on the really good side of town – a side Happy had never even considered – were worth whatever trouble staying with him would cause.

Meanwhile, Sag stayed drunk and increased the intake of coke, of course, and that went like it always does . . .

Look – the success part of all of this is well documented. That’s not what I’m here to tell you about. Suffice it to say there were ups and downs and women and scandal and fights and more and more money.

Until there wasn’t.

Just over a year later Sag sat in Happy’s new and improved office, complete with a garish self-portrait and built in putting green. Happy was dressed like Colonel Tom Parker and Sag, appropriately, was looking like an even more beat up fat Elvis. Acting a bit like him too.

He paced unsteadily, manic and just outside of sloppy. His arm was in a cast and his head was propped up by a neck brace. He was wearing a “Gravity Don’t Mean Shit To Me” trucker hat and a thick gold chain with a large, diamond encrusted SG pendant hung askew in the deep V of his red, white, and blue polyester button down shirt.

“It’s drying up, Happy. It’s dried up and I owe a lot of people a lot of money and your bitch daughter’s not going to forgive me if the money’s gone. How has it dried up already? They’re still sucking Knievel’s dick! What are you going to do about this, Happy, what the FUCK are you going to do about this?!”

Happy calmly rose from the leather chair behind his oaken desk, and walked toward Sag. He wasn’t feeling the manic energy as he’d kicked the booze and never touched coke – he’d seen what they had done to his son-in-law and had grown to hate the stuff. He missed the old Sag, god help him, and the thought that this all might be his fault made him want to cry, though he hadn’t, of course. Had never, really. This was a god damn tragedy and the man in front of him was the victim, but nobody called his daughter a bitch, so as soon as he was within arm’s reach of Sag – could smell the sharp hooch stink on him – Happy twisted Sag’s still healing arm away from his torso and punched him in the gut, very hard, felt the soft fat give way to what muscle still lie beneath it and turned his back as Sag fell to the floor with a grunt and a tight wheeze.

Happy returned to the chair behind his desk and sat down.

“Soon as you can pull in enough breath I want you to get out of here. We’re done. And stay the fuck away from my daughter.”

Sag got his breath back surprisingly fast and didn’t argue. Just hobbled out.

Happy wept, long and hard.

All the good parts were over.

Another month later and Sag Jinkins was sitting in a bar called Lumpy’s, alone in the dark at 10 am, trying to work up the will to chug a drink he didn’t have the stomach for at the moment.

Lynette had left him. All his shit was gone. His endorsements were gone. His opportunities were gone. No one was willing to offer him daredevil work. He’d become too much of a prick in an industry built around Evil Knievel, an all-time prick. His son, Clinton, had punched him in the nose just the day before, when Sag had crashed his bike into a car outside of the Jinkins’ new, much more modest, Sag free residence – the car belonged to the father of Clinton’s friend, who was inside the house with his son for Clinton’s 13th birthday party, which Sag had been invited to out of deference to the still lingering affections of his sons – and Sag stormed inside loudly demanding to know which son-of-a-bitch was parked in his spot. Lynette tried to calm him down, and it almost worked – he still loved her somewhere under all the liquor and regret – but he’d again flown off the handle when he noticed that Clint’s birthday cake was Knievel themed.

He flung it against the wall and that’s when the boy socked him in the nose – he was tall enough to reach it at this point – and before he had a chance to figure out how to respond to that he was weeping, and then being dragged out of the home by the man whose car he’d hit.

Now he was sad. The party was officially over – had been over for a while, but it hadn’t stopped Sag from strutting about as if it wasn’t – even if he was the only attendee.

But the swagger was gone and he was just drinking, or trying to, intermittent sobs hiccupping from his puffy throat.

And then someone sat next to him. Sag didn’t look up.

“Aren’t you Sag Jinkins?” the person asked admiringly.

Sag turned. No one had said anything admiringly to him in a good long time and it caused a renewed glimmer of confidence.

The man next to him looked like a cartoon character, but he had a musk and a smile that instilled confidence.

Sag sensed a new father figure. It was Batton Trowel.

Batton Trowel was a Texas good ol’ boy born and raised in Lincoln, Nebraska with a deep weird streak that manifested itself privately in simpering, gross, omni-submissive orgies and publicly in his dress and unpleasant vibe, a vibe which helped him get most anything he wanted as folks were just eager to be rid of him.

Like Happy – he actually looked quite a bit like Happy – he had been a car salesman – a quite successful one – but had abandoned the trade after some accidentally ingested mescaline led to a typically errant vision that pushed him to seek one-ness with the universe.

That turned out to involve much more mescaline and a move to Florida, where he’d taken up selling “health tinctures” and healing crystals, which was to everyone’s shock but his own, quite lucrative for a time. Then he was arrested for selling mescaline – he was in possession of the biggest stash the police had ever seen, by a large margin – and served three years in the Florida State Penitentiary, which is where he watched both of Sags jumps on the World Wide of Sports.

He’d only been out for a month and was still looking for his next gig when he saw a man who looked a lot like a beat to shit version of Sag Jinkins walk into Lumpy’s. This immediately gave him a swarm of ideas, but he hung outside for a bit to let his man get a little loose before sharing any of them.

Eventually he came in and sat down next to Sag. He spoke for a while about how much he admired his courage and how he could see he was a man with uniquely and ideally aligned chakras. Sag, of course, had no clue what he was talking about but it all sounded nice and he was too low to feel the unpleasantness radiating from the large man’s leathery skin. Was transfixed by the massive turquoise bolo tie around his thick neck.

Batton could see that this wouldn’t take much work – next to him was a man without any options – so he got right to the point.

“Sir, I would be honored to be in the Sag Jinkins business. And if you aren’t currently employing one, I’d like to be your humble manager. And even if you are, he’s clearly doing a terrible job. You, sir, are a star, and should be treated as such. Should be eating at the finest restaurants, not slumped at this regrettable bar. Should be showered with pussy and sundry other adulations. What say you?”

Sag began to weep and embraced the burly man, dug his head into Batton’s garish western shirt.

“Thank you,” he sobbed.

Batton immediately put Sag on a strict diet and regiment of prayer, meditation, and crystals, though he kept feeding him booze, negating any positive effects that could have come from such things.

He put Sag up at a decent hotel and set to work booking shows. They were hard to come by, at first, but Batton wasn’t a man to be dissuaded easily and landed on a gimmick to pique the public’s interest: Guerilla Jumps, inspired by Sag’s first entrance on the national stage. No permits and no forewarning, outside of a little word of mouth and maybe a nudge to the local news here and there.

The first and only of these was attempted in Times Square. Batton flew there and bought Sag a bus ticket. He spent the whole bus ride drinking. Got kicked off of the bus in West Virginia for incessantly screaming, “Lynette, Lynette my beautiful Lynette! What did I do? I just want my family back!” but somehow managed to hitch a ride to another bus station in order to finish the trip. He was in no better shape for the actual event. Barely conscious, he rode up the makeshift ramp far too slowly and gradually tipped over its top lip, landing in a messy pile on the concrete. He broke a few ribs and wasn’t so much knocked unconscious as he just sort of fell asleep. It was a disaster, but it did make the news and succeeded in raising his dormant public profile.

Out of the hospital, Sag begged Batton to check him into alcohol rehab, something the attending doctor had said might be a good idea, but Batton wouldn’t hear of it.

“These gat-damned doctors have absolutely no idea what they are talking about. They are just out to make a buck. Stick with me, son. I’ll work you over with the crystals and the tincture and we’ll get you in a sweat lodge and you’ll be good as new. Better than new. Won’t even have to quit the sauce. You shouldn’t quit the sauce. It’s part of what people love about you. No one’ll pay to see a man who isn’t a bit reckless, my boy. And you can’t let them down now! You’re all over the news! A hero! And, frankly, you can’t afford to stop. Or to go to rehab. Here take a drink of this. It’s whiskey, but I’ve mixed in some of the tincture.”

The increased exposure only resulted in some small time gigs and a veritable guarantee of State Fair and Monster truck rally shows for the rest of his life, possibly the worst outcome imaginable. And Batton was managing his finances, so he never saw any of the fairly meager money, only received a shockingly modest stipend and a constant stream of alcohol, drugs, crystals, and the tincture.

This went on for five months. There were arrests and health scares and injuries and various humiliations dotting that time period, but there were also some jumps, though Sag took no pleasure in them.

He did the Okfuskee County Fair in Oklahoma and completed a fairly impressive jump with a fairly large crowd, but shit his pants somewhere before landing.

That didn’t feel great, even though no one noticed.

There was the demolition derby at the Jamestown Speedway in Jamestown, North Dakota – one hell of a bus ride, though he was passed out for much of it – where he didn’t land his jump and got into an unsuccessful – on his end – brawl with some locals in the parking lot. They left him moaning and bleeding on the asphalt and Batton didn’t even notice he was gone for two hours. Took another full hour to find him, and then there were crystals and prayers and he was back on the bus for an 8 hour drive to Golgotha, South Dakota, with a blindingly painful crack in one of his vertebrae that went undiagnosed and untreated – by anyone qualified – right up until his death.

Which brings us to where we started, finally. The Argus Valley Speedway, where that death is imminent.

Sag is hobbling back from running the sprint that Batton ordered. It has made him feel a bit better, mentally – more awake, anyway. But his body feels like it might just collapse into six or seven pieces and then decompose quickly, like in a time lapse video.

This is what he is thinking:

“I can’t do this anymore. I want to die. I wish I could say goodbye to Lynette and the kids, but it’s better if I don’t. I’ve fucked this up too badly. I’m a fucking Jinkins.”

Sag is breathing in gasps, and kneels down next to Batton, who is already mid prayer. Batton puts a hand on Sags head and it’s cold, somehow, even though the heat index has cracked 110.

Batton says:

“Oh, great creator, giver of life and riches. Bless this old boy before this great jump. May it inspire all those who see it and put them in mind to buy some merch. Amen.”

They stand and walk to the smallish, sparsely peopled grand stand. Batton hands him his helmet and talks – never stops talking – but Sag doesn’t listen. He’s saying his own prayer.

“Please forgive me. I don’t deserve it, but please forgive me. Give peace and happiness to my family. I don’t need any for myself. But please forgive me.”

He repeats this to himself and his vague sense of God over and over. He is crying.

And then he is alone in the performer entrance, astride his beat up old Indian Motorcycle while Batton introduces him with superlative after superlative, and he is planning.

When he hears the final announcement of his name – Saaaaaaaaaaaaaaaaaaaaaag Jiiiiiiiiiinkiiiiiins! – he puts on his helmet and enters the grandstand with a loud rev of his motor to weak applause. He is ready. He will jump higher than he has ever jumped before and then it will be over.

He casts his helmet aside. The crowd gasps at his face.

Another loud rev of the motor and he’s off, and it actually feels good this time. The jumps have never felt very good or natural. He’s never really thought much about them.

But this time the wind’s in his hair and the sky above him is blue and he already feels relief.

He hits the ramp and feels the incline and really pushes the engine. Then he’s flying through the air. And he thinks, “I thought this would feel like slow motion, but it doesn’t”, it’s actually going very fast and he barely has time to say his prayer once more:

“Please forgive me. I don’t deserve it, but please forgive me. Give peace and happiness to my family. I don’t need any for myself. But please forgive me.”

and almost doesn’t go through with his plan but at the last moment he tips his front wheel forward by shifting his body weight suddenly and then crashes, head first, into the broad front of the ramp.

And that is the end of Sag Jinkins.

The end.

UFOs Pt. II

Richard Moss
As mentioned in the previous episode, I recently purchased a large box of 1970s UFO paperbacks from a thrift store.  Each of these books was carefully imprinted by a custom stamp in blue ink with the words “From the Library of Richard Moss”.
 
Naturally I was intrigued. Who was Dick Moss? As the inheritor of his library I wanted to know the man and his work, if he’d done any, in the field of UFOlogy.  I assumed he was dead, as that’s how most collections come to live in thrift stores.  I once found about 30 snap button cowboy shirts each with the name Herman written in blue marker on the tag – a truly wonderful old man habit that doesn’t seem to be done much anymore – starting in the Medium section and going all the way to XXL. I figured Herman had either eaten himself into oblivion or wasted away from cancer or a Romanian curse like that guy in Stephen King’s book, Thinner.
 
Anyway, I Googled Richard Moss, expecting to find an obituary, but instead found four short newspaper articles from Duluth, Minnesota’s newspaper of record, Duluth News Tribune.
 
They were intriguing.
The first was dated June 6th, 1977.
Local Man Reports UFO Over Lake Superior
Richard Moss, a native Duluth resident and sophomore at the University of Minnesota Duluth, has reported an encounter with an Unidentified Flying Object while fishing on Lake Superior late Friday night.
Moss told authorities that a “large, metallic saucer-like craft” hovered 100 yards above his small boat for 3 minutes at 11:35 PM before “vanishing”.
Mr. Moss was alone at the time and there are no other witnesses.
Duluth Police are investigating the report, but declined to comment, as did Mr. Moss.
This is the third UFO sighting reported in Duluth since January.
 
The second, from August 22nd, 1995
Duluth Resident Holds UFO Symposium
Richard Moss, owner of Moss Antiques in Duluth, has organized a UFO Symposium to be held at the Holiday Inn Banquet Hall this Saturday, August 26th from 10 AM to 7 PM.
Speakers include authors and UFO researchers Brad Steiger and Stanton Friedman, among others, as well as various UFO experiencers.
Tickets are $10 and can be purchased at the door.
 
The third, from September 9th, 2010
Richard Moss, owner of Moss Antiques, Reported Missing
Richard Moss, longtime proprietor of Moss Antiques in Duluth, was reported missing yesterday.  According to his landlord, Oswood Bolrick, owner of Harwood Apartments, where Mr. Moss was a resident, he checked in on his tenant on September 6th, as he had not received the rent check.
“He’d never been late on rent before, so I wanted to make sure there wasn’t nothing wrong,” Mr. Bolrick said.
He reported that Mr. Moss’s mailbox was full and mail was accumulating beneath it.
”I was worried. Don’t know the guy well, but he seemed nice and has been here a long time. I knew he had the shop, so I went to check there, and it looked like he hadn’t been there a while either, so I called the police.”
Richard Moss is described as a 52 year old Caucasian male with short, gray hair, glasses, and a mustache.
Local authorities ask that any leads should be called in immediately.
They are investigating but declined to comment further.
 
And the fourth, from three weeks later.
Owner of Moss Antiques Found
Richard Moss, owner of Moss Antiques in Duluth, has been found.
Authorities have confirmed that Mr. Moss called them from his home phone and reported that he was alive and well. He said he had read of his disappearance in the paper.
No further details were available at the time of publishing.
 
Next I searched for Richard Moss on Facebook, expecting to find nothing.
There are several Richard Moss’s but only one in Duluth. His photo was a too close, unflattering, shot from below selfie of a blank faced old man with a gray mustache and dated spectacles.  The top of his head was cut off.
 
There was no other information, but this had to be the guy.
I sent him this message:
Mr. Moss, I came across your collection of UFOlogy books at my local Saver’s and felt compelled to speak to you. I’m in Fargo, but willing to come to Duluth on any weekend you might be free. I won’t take much of your time and need no accommodations.  Please let me know when and where and I’ll be there.
 
And then I heard nothing for six days.
 
On the seventh day, I got the following message.
Moss Antiques, 10 AM, June 27th.
 
And so I was off to Duluth. It’s a beautiful city, equal parts blue collar, rugged nature, and college town, and I figured if this meeting was a wash I’d at least have a nice vacation.
 
I packed next to nothing, booked a room in the cheapest motel I could find – the Starlite, it was called, $40 a night, cash at the desk, next to a Hardee’s (the employee I spoke with noted this like it was a feature) – and set off.
 
I pulled up to the one story motel at 11 PM on Friday. There were a few other battered cars in the parking lot, but the Starlite was clearly not doing the business it maybe did when it was built in, let’s say, the 50s.
I checked in, got settled in my room – not much, but not bad – and fell asleep four pages into one of Dick Moss’s UFO books.
 
In the morning, I googled Moss Antiques, 4 blocks away, and set off on foot. It was in a charmingly rundown shopping district in row of brick storefronts, between a diner and a place that sold outdoor goods.
 
I was 10 minutes early and according to the sign on the door the place wasn’t open on Saturdays, so I knocked, which felt weird, but Richard Moss was at the door in a moment.  I think he’d been behind it waiting for me.
 
“Reid, I presume? Got ID?”
 
“Yes,” I said, a bit taken aback but ready for weirdness and happy to oblige.
 
Apparently satisfied that I was who I said I was, he let me in to the dimly lit, musty store, and retreated to a back room.
 
He looked old, much older than his 62 years, but unremarkable. Short, a bit hunched, bald, but for some grey fuzz around the sides and a trim grey mustache, pale skin dotted with liver spots, dressed in a tucked in button down oxford shirt, pressed khakis, and padded, beat up loafers.
 
I followed him past old lamps, dolls, toys, knickknacks in glass cases – nothing remarkable about his shop either.
 
He sat at an old oak desk, piled with papers, and I sat across from him, on a chair I had to clear off and pull from the corner.
 
He stared at me for a full minute, unblinking. I stared back, wanting him to start.  I was starting to imagine his skin subtly undulating when he finally spoke.
 
“You found my books” he said, almost a sigh.
 
“I did.  I was extremely excited to find them.  A banner day at the thrift store.  Why’d you get rid of them?”
 
“Why? I needed to move on with my life. Will you excuse me for a moment?”
 
He rose from his chair with an old man groan, stretched his whole body, like a cat, shook his head as though trying to wake from a dream, cracked his jaw, and shuffled out the open door.  He shut it behind him.
 
This was very weird, but that’s what I’d come here for.
I sat, thinking this over. This guy was acting odd, but so was I.  Why did I come here? What did I expect to learn? He doesn’t owe me anything, I just bought his old books, so I should just stay patient and accept what comes.  If this guy was really abducted by aliens – or thinks he was, anyway – it’s probably affected him in ways I can’t even imagine.  But why did he even agree to meet me, if he’s so over all of this?
 
And then I felt something . . . shift, somehow. I can’t explain exactly what it was, just a feeling in the air.  The vibe, maybe, though I’m hesitant to use that word. Where there had been nothing, now there was a palpable anxiety. Not just in me – I’m used to that, but around me.
 
I was beginning to squirm a bit, feeling hotter and hotter and there was a knock at the door and I began to turn around, startled, and that’s the last thing I remember, before waking up in my bed, fully clothed, at the Starlite Motel.
 
I felt groggy, confused, but unhurt.  I looked at the clock, it said 3 AM. I opened the window shade and it definitely looked like that was an accurate account of the time.  On a hunch, I went to my phone to check the date. June 29th.
 
I was missing a full day. I racked my brain for any memory of what had happened. There was a flash of a tentacle and maybe a . . . smiling, vaguely sexy alien woman? So I shut it down.  I wasn’t hurt. I could block out these memories. I’d blocked out – not worse, but pretty bad. I had a good life at home and didn’t need this.
 
Maybe Dick Moss was right.  It was time to put this whole UFO thing behind me.
 
I packed up my few things, and went home, never to speak of any of this again.
 
But then there was the dream, always this, every night:
 
I’m on an operating table in a dark room, with a bright light shining in my face. I can hear Richard Moss’s voice coming from somewhere I can’t place, almost in my head.  He’s apologizing, but his voice is cold, uninflected.
 
I can see vague movement in the dark behind the light.  The shapes are, to quote noted racist, HP Lovecraft, unspeakable.
 
Sometimes I get a quick glimpse of my elementary school gym teacher, Mr. Disher wearing a tophat and blowing a whistle with a mouth full of deviled eggs, but I think that’s just my regular dream life intruding on a repressed memory.
 
And then the light goes out and I’m awake, sweating and panicked.
 
Every night.
 
I couldn’t live like this. I had to confront what had happened to me.
 
So I did the only thing I could think of and took Whitley Strieber’s lead – I had recently read Communion, about his own abduction experience – and sought out a hypnotherapist to retrieve my blocked memories.
 
The man I found, through a quick google search, was named Darnold Bumber. I picked him because he was the only one that advertised hypno-regression and he had a fun name.  I called his office, and he picked up the phone.  No secretary.  I liked that.
 
I told him that I wanted to regress to just a month prior and he said he could do that, didn’t ask any questions, and I made appointment for later that same day.
 
His office was located in a dated strip mall, between a vape shop called, mystifyingly, Sports Vape, and a pizza place I’d never heard of – Popolino’s.
 
The only indication that this was the right place was some lettering on the glass door which read, Bumb ypnotherapy – some of the letters had worn off years ago and hadn’t been replaced.
 
A bell jingled as I opened the door, but wasn’t necessary as Dr. Bumber was lying on a couch only four feet, staring up at the ceiling and puffing on a vape pen.  The small room was slightly hazy and smelled of something like Mike and Ike candy.
 
He popped off the couch immediately, nimble for his significant girth, releasing a cloud of sticky sweet vapor from the small, theoretical mouth under his great, bushy white mustache. I was encountering a lot of white mustaches lately.
 
He was somewhere in his sixties and looked so much like Richard Moss in a clownish fat suit that I was momentarily anxious.
 
“I apologize for my claustrophobic accomodations,” he said.  “This used to be the waiting room, but I’ve sublet what used to be my office to Sport Vape for their overstock and moved everything in here.  They’ve got wonderful products, and I’m free to help myself. Do you vape?”
 
I told him I did not. He seemed a bit mystified, but moved on.
 
“Shall we get started?” he said, sitting on a folding chair next to the couch.
 
“Sure,” I said. “Don’t you need to ask me some questions?
 
“Just the date and location of the memory you’d like to recover.  But first we must make something clear.”
 
“Okay.”
 
“This is all a figment of your imagination.”
 
“What?”
 
“This, all of this, me this office, your journey here, your entire life, your bodily self. Imagination. You’re just a consciousness projecting reality. You projected me saying all of that.”
 
“I. I’m sorry, what?”
 
“It doesn’t really change anything. It’s not as though you can stop feeling like this is all real and important or there’s anything else for you to experience, but it might be reassuring to know that you are the one true consciousness and everything else emanates from you.”
 
“How could you possibly know that?”
 
“I don’t. There’s no me to know it.  You know it and you’re revealing it to yourself now.”
 
“Huh. Is this some psychological trick to ease my trauma?”
 
“If you project it that way, I suppose. Listen, I’m just a facet of you. Same as your parents and grandparents and teachers and wife and kids and every person and thing you’ve ever seen or touched. Like I said, it doesn’t really change anything.  It’s all real and important to you and that’s not going to change unless you kill yourself, in which case all of this existence will simply vanish momentarily until your consciousness conjures up a new reality, probably instantaneously. Are there other existences, other projecting consciousnesses that you don’t know about?  You have no way of knowing that, and as such, neither do I.”
 
“This is a lot of heavy information.”
 
“Yeah.  Do you still want to do this regression?  You’ll only be further manifesting a memory, just like you manifested the absence of a memory.”
 
“No, I suppose there’s no point.”
 
“Well then, I guess we’re done here.  Are you sure you don’t want to vape?”
 
“Well, I suppose I might as well, given what you’ve just told me.”
 
“True.  I’m currently puffing on the mike and ike flavor, but, of course, you can manifest whatever you’d like.”
 
“Ummm . . . I’ll take the smell of my teenage bedroom.”
 
“Sorry, we don’t have that.”
 
“But . . . “
 
“I’m kidding! Just a second.”
 
He disappeared into what used to be his office – what I had projected what used to be his office to be, I guess – and came back a moment later with a state of the art vape pen and a vial labeled “Teenage Bedroom”.
 
He showed me how to fill the pen and then handed it to me.  I took a puff, and I’ll be damned if it didn’t taste like incense, sweat, cheap cologne, and me, with a slight undertone of marijuana.
 
“Huh,” I said.  “I guess that proves it.”
 
“I guess it does.”
 
“Well, manifest you around, I suppose,” I said, and we both laughed and laughed and laughed.
 
The end

Bees

Script

Insects – they’re across the board disgusting, everybody knows it. From aphids to beetles, cockroaches to dragonflies, earwigs to fleas, green stink bugs (green stink bugs!) to horseflies (horseflies!), Io Moths to June bugs, Katydids to lacewings, maggots to nits to owl flies to pea weevils to quiblets to roaches to stink bugs to tsetse flies to unlined giant chafers to vine borers to water bugs to xylodromus to Yucatan Boll Weevils to Zorapterans. They are a menace, earth aliens and poo disseminators matched in awfulness only by underwater creature, many of which, not coincidentally, resemble insects. And at least with the underwater creatures you can avoid them by not infringing on their territory. Not so with the insect. They’re everywhere we are. So, why do we, as slightly less gross and more evolved creatures, not eradicate these wee freaks completely? What is protecting these mini-monsters of land and sky from the bitter sting of our noxious chemical wrath?

The answer? The Honey Bee – Mother Nature’s least disgusting anthropoidal daughter.

Fact (FACT! (deep voice)): The honey bee is beautiful. Its fuzzy black and gold stripes are a pleasure to behold, like a bespoke sweater on a lithe young Gordon Sumner.

Fact: The honey bee is clean. It does not, under any circumstance, eat or crawl on shit, be it human or dog or antelope or whatever. In fact, there are honeybees in the hive whose sole job is to tidy up, like a horde of tiny, lady Mr. Belvederes.

Fact: The honey bee is peace loving. It doesn’t want to sting you and will not unless you bumble into its dwelling like a massive, unannounced house guest, you buffoon! When you are stung by a bee – you can bet dollars to donuts it wasn’t of the honey variety and I would bet those same dollars to those same donuts that it was in fact a wasp. Perhaps you should learn some science before hurling wild accusations, buffoon!

Fact: A Honey bee society is overwhelmingly matriarchal, despite what the lazy writing of current day, too rich for his own good Jerry Seinfeld would have you believe. That is to say, run entirely by the ladies, that is to say, almost inherently better than what we’ve got going, though to be honest, I think we’ve got a low key matriarchy percolating ourselves.

Fact: Honey bees make honey. This is astounding. It’s like a cow making cheese. Sweet golden cheese.

Fact: The honey bee likes the same things we do. Bold colors, beautiful flowers, fruits, vegetables, honey, and the music of Neil Diamond, presumably.

 We see elegantly simple eye to staggeringly complex multiple eye, us and honey bees, so it’s no surprise that our histories are so inextricably interwoven.

 Allow me to start with an ancient anecdote; a series of cave drawings, actually.  No more than a couple of crude doodles, when it comes right down to it, but they tell quite a story.  They were discovered on the wall of the Altamira Cave in Spain and have been dated as far back as 25,000 years, to the Upper Paleolithic era. 

 The story, depicted as I said, in some haphazard, but fairly impressive for the time, scribbles, goes like this:

 The year was 22,984 BCE.  Homo sapiens were king, having successfully completed history’s first genocide by wiping out those poor Neanderthal folks, whose only crime had been missing a couple of evolutionary adaptations.  Survival and tool making were all the rage, and everyone was looking forward to the upcoming Solutrian period – just 984 years away - having grown bored to tears with their Chatelperronian tools. 

Like a recently divorced dad in his first solo apartment, these early-ish homo sapiens had a lot of time and space on their hands. There were only 30,000 people in Europe, after all. That comes to about 1,113.3 square feet per capita, which means that an Upper Paleolithic loner, like the previously mentioned recently divorced dad in his first solo apartment, could get up to a lot of horse feathers.

That’s why marriage is so swell. Aside from the love and companionship and building a life together – all great – you also get someone around to shame you into acting like a decent homo sapien.

Anyway, this particular Upper Paleolithic loner, Plorg the Lonely of 14th Hilltop was the moniker he answered to, was sitting on his haunches, having a good think. After general puttering about, sitting on ones haunches and having a good think was the most popular form of entertainment among folks at the time, especially loners.

So he was thinking. About survival, at first, which was very important to and difficult for these early people on account of they hadn’t invented many of the amenities we so take for granted today. Like the Zune, for instance, or HAM radios or really anything else outside of some vaguely tool shaped rocks and a pair of pants or a shirt here and there, though clothes hadn’t really caught on yet since these early people had yet to identify the shame lurking within themselves.

So he was thinking about survival, according to these barely legible chicken scratches on the walls of this cave, and his mind began to wander, as minds do, to food – and here’s where this early man becomes notable – his mind begins to stir with the beginnings of the concept of sweetness, which was not a taste sensation yet known to humans, but he imagined the idea of it, and he thought of his favorite color which was the color of the sun through the dust of the planes when a heard of _ passes hill 14, which is a kind of pale gold, and he conflates that with the idea of sweetness and then his mind, as minds also often do, drifts vaguely to sex, and he thinks of come and incorporates that into his previous idea and the whole of the idea becomes what we now know as honey. And then, since man is naturally a masochist, he imagines the difficulty of obtaining such a substance, unnecessarily, of course, since this is all in his own mind – he could just as easily imagine that it is bountiful and a pleasure to obtain – imagines that it would be protected by women – women who could hurt him – and he’s angry at the women because he’s dumb and not very self reflective and believes that anything that can hurt him is evil and doesn’t deserve nice things and he wants to take the sweet, sun colored come away from the evil women, and he stands up angrily and storms off to avenge this injustice, even though it only exists in his mind, and he stomps around for days like a lunatic, and, what do you know, on the fourth day he unthinkingly swats a honey bee hive, unaware of what it is, not with curiosity but with unthinking rage, and his arm is covered in bees and also the sweet, sun colored come of his imaginings, and they sting and he swats and it’s unclear to him or us if his imaginings were just a lucky guess or if he actually manifested this thing, and eventually all the bees have died and he is close to death from stings but also ecstatic from the rush of the honey that now drips down his chin, and another human happens to come along and is appalled by the swollen, lumpy man who is licking golden come from all over his own body but also writhing around in pain but the new human, who happens to be an artist, stops long enough to hear the man’s final words – this story, more or less – and to, hesitantly, at first, of course, but then with greater and greater gusto, eat the honey, and he goes back and records the tale via the previously mentioned barely decipherable cave scribblings.

And that’s how humans first encountered the honey bee, so far as we know. It is, of course, entirely possible and even likely that someone else encountered them before this and it just didn’t get written down.

When it comes to history, we’re like Ray Charles in B. Dalton’s Bookseller – the ghost of a blind man in a store that no longer exists.

There are, of course, tales of bees going back to the beginning of time from history’s schizophrenic aunt, religion. Religious kooks have a wacky story for just about everything.

The Kalahari’s San people, for instance, who are not, to my surprise, characters from Star Wars, believed that humans were sprung from the body of a mantis after a bee planted a seed inside of it.

But our next real world documentation of humanity’s interaction with bees comes from Georgia, the country. Some archeologists found some honey there.

Our next interesting real world documentation of this is ancient Egypt. Ancient Egyptians had a total boner for honey and honey bees. They used it for everything. They ate it by the fistful, used it to do gross sex stuff, rubbed it on rashes and bunions and sores they got from the gross sex stuff. You name it. It was, as far as they were concerned, a gift from the gods – a show of appreciation for all of the cool shit they were building.

 King Tut was buried with the stuff so he would have a kind of house warming gift for all of the gods in wherever they lived – the location of the Egyptian gods was not conveniently specific, it didn’t have a fun name like heaven, which is probably why it died out – people crave specificity - when he got there.  Fat load of good it did him, as we just it up and put it in a museum.

 The Egyptians harvested their honey in much the same way as we do today, except that they used baskets because they were too dumb to think of wooden hives with removable slats.

 On to Israel, where, according to the Bible, people were pretty sweet on honey as well. It’s mentioned 26 times in the good book.  That’s 26 times more than they bothered to mention ----, for reference. Just get a load of this sexy Bible verse:

Your lips, my bride, drip honey; Honey and milk are under your tongue, And the fragrance of your garments is like the fragrance of Lebanon.

Scandalous, sexy stuff.

Anyway, you get the idea. Folks love honey. Have always loved honey and by extension honey bees.

Most folks, anyway. Native Americans referred to bees as white man’s flies. Perhaps if they hadn’t been so hurtful about our bugs we’d’ve treated them better.

So, let’s take a look at honey – its creation and many uses – as everyone knows that a thing is only as good as a commercial output and bees are no exception.

Honey is a byproduct of bee bulimia – that is to say, bees collect delicious pollen and nectar come back to the hive, and vomit it up. Then they use bee magic to turn it into delicious golden sugar goop, which feeds their young. It’s a beautiful, disgusting, delicious process.

But let’s get to the important question – how does honey benefit us human beings? God didn’t create these gorgeous creatures to live autonomous lives for their own health and as an integral cog in the machinery of Earth’s finely tuned through evolution ecosystem, after all. He created them to keep us – their manic depressive overlords – flush with that gooey, sucratic elixir.

Honey or, as I like to call it, God’s Come, has many, many uses. You can eat it, of course, on toast or regular style bread, drizzled on fruit, as a sugar substitute, with your paws, over ice cream, in cereal, in graham crackers, in mustard, on buffalo wings or ham if you’re into the whole slaughter of innocent animals thing, in tea, or just by the spoonful, shameful and sticky, alone in your basement.

Why you could slather Apian Snack Food on just about anything.

But let’s talk about some of the lesser known, more practical and medicinal uses of honey.

First and most importantly, of course, you can just slap that goop right in your hair to create whichever beautiful hairstyle pops into your mind grapes. Image is everything, as Andre Agassi was once fond of saying and my father was fond of quoting to the detriment of just about everybody. And as an added bonus for the entomologists in the audience, it’s going to attract a lot of fascinating bugs to your head, which can be studied at your leisure.

Moving down to below your hair is, as everybody knows, your skin. The ol’ epidermis. Biggest organ in your body, they say, so you’re going to want to take care of it. And ain’t no better way to take care of it than to just absolutely drown that shit in bee batter. Rub it on pour it on, I don’t care, just stop what you’re doing and get some of that heavenly hive juice all over your hide.

Next up, your eyes. There is simply nothing more soothing to the persistent itch in your peepers caused by seasonal allergies – ironically the result of our friend the bee’s prodigious pollination – than a fat dollop of Nature’s Visine. Just let it slowwwwwly drip onto the offending eyeball and bask in the eventual relief. UUUUUUUUUUH, that’s goooooooood.

Onto your nose. Huff up a line of apian nose beers and you’ll be ready to get on the scene like a sex machine, a la sweaty, borderline nonsensical 80s era Mr. Entertainment himself, James Brown. And unlike the devil’s Red Bull powder, Comb Coke can be purchased in any supermarket! Just look for it on the shelf above the Peanut Butter.

Hows abouts them ears? Headed to a screamo or metal core concert? Of course you are. Well, those things get pretty loud and you’re not getting any younger – it must take you forever to squeeze into those skinny jeans, ya goof – so why don’t you protect the old earballs by jam packing them with buzz butter?

Mouth! There is simply no end to the number of beneficial ways to get that sweet sweet bee tea into your craw and no end to the positive outcomes when you do. You eat enough of that delicious comb sap and you’ll be happier, smarter, better smelling, healthy as Mr. Ed on a juice cleanse, and up to 54% more resplendent.

Listen, I could go on and on. Stretch marks, cancer, toe fungus, spousal distrust, penis itching, penal distrust, spousal itching, AIDS, feline aids, death, the dizzies, racism, alcoholism, gigantism, dementia, the heebie-jeebies, butter face, depression, sleepiness, nervousness, nightmares, daymares, Adult SIDS, menstrual cramps, charley horses, hiccups, psychopathy, sociopathy, Republicanism – honey can cure all of those things and more.

Thanks, Bees! You’ve truly earned the moniker “Nature’s Holistic Medicine Practitioners and Friend to Humans Everywhere”!

Roy Orbison

Script

What do you think of when you hear the name Roy Orbison? Black glasses? A bad haircut? A soaring, operatic voice? A partially shaved bear in a Dracula costume? Pretty Woman? The Travelling Willburys? Maybe even David Lynch movies?

Perhaps nothing at all. Certainly not pimping or writing books about pimping or inventing rap music.

Of all of the founding fathers of Rock ‘N Roll – Elvis, Johnny Cash, Buddy Holly, Chuck Berry, Little Richard, Jerry Lee Lewis – Roy Orbison is the most anonymous – a figure that most know, but few know much about.

We know his music. He had 22 songs in the Billboard Top 40 between 1960 and 1964, many of which remain firmly entrenched in the cultural zeitgeist. Only the Lonely. Crying. Blue Bayou. It’s Over. Pretty Woman. You Got It.

The music can be ethereal, enchanting. Other-worldly. Heartbreaking. Many other adjectives. The songs often defy the rules of the craft, ignore traditional structure. Typical early rock filtered through a unique mind, tweaked with strings and an emo sensibility – endearing innocence and vulnerability.

And that voice. Equal parts Pavarotti, Dean Martin, and hysterical grandmother, it soars above everything else, twists and turns and crescendos. It holds you in its grip.

There’s a suspense to it all. How does this work? Will it keep working? Every song seems like it’s on the verge falling apart, every note on the verge of breaking.

But it doesn’t. They don’t.

He’s no James Brown, though. Man, can you imagine that episode. Anyway . . .

We also know the look. Two looks really – the early years and the later years.

The early years, starting from the top: Thick, goth black hair, drowning in mousse and wrangled into a helmet tight pompadour perched above a pale, southern, weak chinned, nerd face; Small, close set, wonky eyes barely visible under thick lensed, black framed, prescription sunglasses, over a small-mouthed, dopey, slightly down-turned smile, all coming together and looking better than it had any right to – greater than the sum of its parts and sitting atop a thin, normal style body in a classic black and white suit.

In the later years, the pompadour had fallen, long and still stiff, outlining the contours of an increasingly doughy face, like a black candle melted over a peeled potato. He grew chubby and favored the least flattering outfit possible for this development – a polyester jumpsuit or, alternately, a more flattering suit, bolo tie combo.

Roy Orbison was a dark, homely, beardless wizard. A conjurer of sadness. A fascinating, important, weird figure in the birth of rock and in the decades after, and it’s time he got his due: the white guilt replacement topic of a solitary, three-fourths episode of a little loved, little listened to, brilliant podcast.

An anecdote, to begin, told by Tom Waits to Charlie Rose. For reference, the concert referred to is the Black And White Night, a kind of victory lap show, where Roy Orbison was backed by some of the artists that count him as an influence, including Bruce Springsteen, Bonnie Raitt, KD Lang, Elvis Costello, Jackson Brown, T-Bone Burnett, and Waits:

“This is an odd story. It was after the concert, The Black and White Thing, it was a few hours after that and some of us were still hanging out back at Roy’s hotel room, drinking and, you know, um, imbibing in some other, uh, potent potables, if you will – only a few men left standing. Me, Roy, and Jackson, but I think Jackson was kind of teetering on the edge of the abyss at that point, so I suppose he probably doesn’t remember. Anyway, Roy’s perched on his bed and I’m there and Jackson’s slumped in a chair and Roy says in that quiet voice of his, he says, uh, kind of out of nowhere, “If you play all of the songs I’ve written backwards and at half speed, in the order I wrote them in, it’s an incantion from the Egyptian book of the dead in the original Egyptian.” And I laughed, you know, because I thought it was a joke, but Roy wasn’t laughing and, he’s got those glasses, right, so it’s hard to see his eyes, but from what I could see he was staring right at me and I just, uh, you know, I stopped. Stopped laughing. And then he started singing, kind of, intoning lower and slower than his usual thing, and it sounds like language but it’s not any language I know, right, but it sure as hell could have been Egyptian, and he goes on for, must have been an hour. I swear it, an hour. Jackson fell asleep but Roy was staring into my eyes, man, the whole time and I didn’t dare blink. And then he finished and he said time for bed, and he nodded to the door, and I, uh, I hit the bricks,man, and that’s the last time I ever saw Roy Orbison. He died about a year later.”

Roy Orbison, aka The Big O, aka The Caruso of Rock, aka The Spookiest Man In Showbiz, was born on April 23rd, 1936 to Orbie Lee Orbison, a disgraced magician, known professionally as The Black Orb and ousted from the magic union for dabbling too deeply into the black arts and his refusal to grow a moustache, a requirement for the magic union at the time, and Nadine Vesta Shults, Orbie’s gloomy assistant, who he had lured from a band of American Gypsies when she was but 12 years old.

The small family lived in relative isolation in Vernon, Texas, hunkered down through the Great Depression doing god-knows-what, but moved to Wink, Texas when Roy was seven after Orbie inherited his great uncle’s estate – a grim, dark, supposedly haunted mansion, looming over desolate oil fields.

It has since been razed and the hill it sat upon leveled to make way for a strip mall housing a Papa John’s Pizza, J. Appleseed’s Family Restaurant and Cider Brewery that used to be a Benigan’s, and the lonely remains of an abandoned Blockbuster Video, still unoccupied due to purported paranormal activity. A mute, albino boy strumming an invisible guitar has been spotted on multiple occasions, wandering the video racks, hopelessly searching, perhaps, for a VHS copy of The Fastest Guitar In the World, the ill-fated 1967 comedic western starring none other than Roy Orbison.

This is most of what we know of Orbison’s childhood, as he refused to speak of those days or much of anything really – he was renowned for his mute gloominess – but there is one additional item of interest. Until his seventeenth year Roy’s hair was bone white, not the deep black that would later become such a prominent aspect of his signature, unsettling style. The black hue came from hot tar, which he would run through his mane each morning with a steal comb and also accounted for the acrid, eye watering smell which filled any room he entered.

And we know that a young Roy Orbison played music, of course. From the day he was born he was singing. Legend has it that instead of crying, an infant Roy would wail a soul rending Bolero melody in perfect pitch. His father gave him his first guitar at six years old – conjured the instrument from another realm, if you believe the rumors, but it’s also possible he just bought it from a store. Either way, Roy took to it immediately, with no training, and would wander the oil fields below his family’s estate, strumming Spanish rhythms and crooning – always crooning – a tiny, pale boy leaving a swath of weeping roughnecks in his wake.

Which begs the question – is the ghost of a young Roy Orbison haunting an abandoned Blockbuster Video on the grounds of his family’s former estate? I’m not sure that’s how ghosts work, but it can’t just be a coincidence.

By the time he was a teenager, Roy Orbison was known and feared across West Texas, as a powerful musician and maybe more. His solo performances, mostly held in dirty, rowdy honky-tonks, were more séance than concert. The gloomy, nearly translucent kid would get on the stage with his guitar and the whole place would go quiet. Where there had been western swing and fights and whooping and hollering just a moment before, there was now only silence, occasionally interrupted by weeping, while he played his haunting tunes, songs which haven’t survived to this day, but were, according to the few accounts we have, closer to funeral dirges than country songs.

There was plenty of work for a while – there are innumerable dives in West Texas and at the time they’d let just about anybody play – but eventually Roy’s reputation for hypnotizing an audience became a detriment. The owners of the establishments couldn’t sell booze if their customers were in a weepy trance. They stopped hiring him.

So he retreated back to his family’s mansion.

And then he saw Elvis perform on Ed Sullivan and everything clicked into place. If he was going to be a musician, he’d have to channel whatever it was inside him into something more commercial.

So he changed his look – used the tar in his hair because it was close at hand and he liked the way it burned – put a band together, The Wink Westerners (later changed to the Teen Kings) names so ambiguous as to rouse no possible feelings of discomfort in potential booking agents or audience members, a plan of deceptive ambiguity that he would stick to his entire career.

They played covers, mostly – country tunes by Lefty Frizell and Bob Wills as well as rock stuff from Elvis and Johnny Cash. They were a sensation, packing them in from to _______ with their unique blend of standard youth music as filtered through the other-worldly voice of their front man.

And then Roy wrote the first song of his career. What, if Tom Waits is to be trusted, and he is, would, when played backwards, make up the final lines of the Egyptian incantation. The song was ominously titled, “Ooby Dooby”.

And, shockingly, it took off.

Everybody in America was doing the Ooby Dooby, wiggling to both the left and the right, shaking like a big rattle snack, unaware that they had fallen under the spell of devious mesmerist, whose ultimate goal we can only guess at, but was probably the legalization of . . . something, and, thus, uh, the ushering in of the end times.

Stop the podcast. This is going nowhere. Roy Orbison wasn’t a dark wizard. That was all lies. I admit it. He was a pretty nice, kind of boring guy with a killer voice and some great tunes.

Let me try this again. A show about bees, maybe? Okay, let’s try a show about bees.